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About Last Night

Terry Teachout on the arts in New York City

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Archives for June 7, 2011

TT: One is a wanderer

June 7, 2011 by ldemanski

246702_2090143616526_1333296871_32430782_5903273_n.jpgI left my home town a few months after graduating from high school in 1974, and since then I’ve only returned as a visitor. Not so David, my younger brother, who chose to settle in Smalltown, U.S.A., and has never lived anywhere else. He and his wife live three blocks from my mother’s house. If there’s such a thing as a model citizen, he fills the bill with room to spare. Among countless other valuable things, he’s served two terms on the city council and is a member of the board of trustees of his church, and whenever anyone in Smalltown now has occasion to mention the name “Teachout,” they usually mean him, not me.

I’m proud of my brother’s achievements, and more than a little bit jealous of them. In particular I envy his deep roots in the soil of Smalltown. I can’t claim to feel that way about New York City, where I’ve lived for the past quarter-century but to which I have no special attachment save for my love of certain people who live there.

For me, “home” is where Mrs. T is, and that changes from day to day. We moved to a new apartment last November, but we’ve spent so little time there that most of our belongings are still packed in cardboard boxes. So far this year we’ve “lived” in upper Manhattan, rural Connecticut, various parts of Florida, and a string of hotel rooms in Chicago, San Diego, and Washington, D.C. Right now we’re in Smalltown, but we’ll be driving up to St. Louis on Thursday, and a week and a half after that we’ll be on our way to Pittsburgh.

Truth to tell, I’m about as close to rootless as you can get, and because I come from Smalltown, where people tend as a rule to grow where they’re planted and stay where they’re put, this rootlessness has always seemed strange to me. I ought to feel at home somewhere or other, but when I moved away in 1974, I lost the sense of belonging that I possessed throughout the first eighteen years of my life, and since then I’ve never managed to recapture it.

This came as a surprise to me. I always figured I’d find a job in town, marry a Smalltown girl, start a family, and become a pillar of the community. My brother did those things, but I pulled up stakes and became a rambling man, moving from city to city in search of an identity that it took me the better part of a lifetime to find, insofar as I can be said to have found it. At various times in my life I expected to become a concert violinist, a lawyer, a high school teacher, and a psychotherapist, none of which I ended up doing. Instead I’ve paid the rent by working as a bank teller, a jazz bassist, a magazine editor, an editorial writer, a biographer, and a drama critic.

389143_9425road2.jpgMy brother and I, in short, have both led typical American lives. It is fully as American to stick close to home as it is to become a wanderer, but it’s the wanderers who get most of the press, perhaps because we’re the ones who write it–and I’m not so sure it should be that way. I left home to find myself, but my brother didn’t have to leave home because he knew who he was. I call my mother every night, but he sees her every day. I write books, but he has a grown daughter. I like to think that my work may ultimately prove to have some lasting value, but I’m sure that he’s done more to make the world a better place.

Might I have been happier had I stayed in Smalltown? That is, needless to say, the least answerable of questions, though Stephen Sondheim went part way towards answering it in a song from Follies called “The Road You Didn’t Take”: The choices that you make/Aren’t all that grim./The worlds I’ll never see/Still will be around,/Won’t they?/The Ben I’ll never be,/Who remembers him? Nobody remembers the nonexistent Terry Teachout who stayed home and became a schoolteacher, but everybody in Smalltown, U.S.A., knows his real-life brother David, who had the luck to know which road to take–and the sense to take it. As much as I love my life, I’ll always wonder which one of us made the better call.

TT: Only once

June 7, 2011 by ldemanski

Mencko.jpgA colleague of mine has just published his first book, a great day that puts me in mind of my favorite paragraph from H.L. Mencken’s Newspaper Days, in which Mencken recalled an equally great day that took place when he was working under Lynn Meekins at the now-defunct Baltimore Herald. I reprint it here in tribute to my fortunate colleague.
* * *
I recall, in point, the day when the proofs of my first real book, “George Bernard Shaw: His Plays,” came in. It was a small volume, else I could not have found the time to write it at all, but it was nevertheless a book, set up and to be published by a real publisher, and I was so enchanted that I could not resist taking the proofs to the office and showing them to Meekins–on the pretense, as I recall, of consulting him about a doubtful passage. He seemed almost as happy about it as I was. “If you live to be two hundred years old,” he said, “you will never forget this day. It is one of the great days of your life, and maybe the greatest. You will write other books, but none of them will ever give you half the thrill of this one. Go to your office, lock the door, and sit down to read your proofs. Nothing going on in the office can be as important. Take the whole day off, and enjoy yourself.” I naturally protested, saying that this or that had to be looked to. “Nonsense!” replied Meekins. “Let all those things take care of themselves. I order you to do nothing whatsoever until you have finished with the proofs. If anything pops up I’ll have it sent to me.” So I locked myself in as he commanded, and had a shining day indeed, and I can still remember its unparalleled glow after all these years.

TT: Almanac

June 7, 2011 by ldemanski

“It was amusing to observe that Allen became hesitant, now that he reached the point, and I knew how he felt. He was no longer Dr. Southby, but a tyro who desired a favorable judgment or none at all. He was like a young writer in an editor’s office, explaining the inner meaning of what he had written so that one could understand it before one read it.”
John P. Marquand, Wickford Point

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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