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About Last Night

Terry Teachout on the arts in New York City

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Archives for April 27, 2011

TT: And one to go

April 27, 2011 by ldemanski

A little later today I’ll be heading down to Philadelphia for the final dress rehearsal of Danse Russe. Things have been going very well all week long, and Paul Moravec and I expect Thursday’s premiere to go at least as well, if not better. That’s a wonderful feeling–and a reassuring one. Anybody who tells you that a bad dress rehearsal means a good opening night knows nothing about theater.
The experience of bringing my second opera to the stage has been quite different from that of rehearsing The Letter in Santa Fe two years ago. The Letter opened in July, and I took a full month off from my day job at The Wall Street Journal to attend rehearsals (though I only skipped a single drama column–I saw several long-running summer festival shows before flying out to Santa Fe and reviewed them while I was there).
Danse Russe, by contrast, went into rehearsal at the height of the busiest Broadway season in years, and there was no way that I could escape to Philadelphia until I’d seen all the shows I had to see. I went to five previews in a row last week, two of them on Saturday. (Seeing two musicals in one day is not a good idea, Mrs. Worthington.) Then, on Monday, I got up at seven in the morning and spent nine hours writing three Wall Street Journal drama columns, after which I took the next train to Philadelphia, arriving just in time for the piano dress of Danse Russe. It was the first time that I’d seen the entire piece performed on stage from start to finish, and I was so busy scrawling down notes for the singers that I barely had time to register the impact of seeing it.
220px-Sergej_Diaghilev_%281872-1929%29_ritratto_da_Valentin_Aleksandrovich_Serov.jpgOnly once was I fully present in the emotional moment, and that was when I heard the new aria for Sergei Diaghilev that Paul and I wrote a couple of months ago after seeing a workshop performance of the next-to-last draft of Danse Russe. Paul had called me from Philadelphia on Saturday to tell me that the aria really worked, but I had to take his word for it: I’d never heard it sung, only “played” in a synthesized version on my laptop. Hearing and seeing my words sung from the stage bowled me over–though not for long. The rehearsal continued, and in mere seconds I was caught up once more in the controlled frenzy that is a dress rehearsal.
On the train to New York that night, I thought of the scene from Bull Durham in which Tim Robbins, the hot young rookie pitcher, trots proudly into the dugout after pitching a fantastic inning. He says, “I was great, huh?” But Kevin Costner, the veteran catcher who’s trying to prepare him for the big leagues, isn’t having any of it. He says, “Your fastball was up and your curveball was hanging. In the show they would’ve ripped you.” Robbins asks, “Can’t you let me enjoy the moment?” And Costner replies, “The moment’s over.”
That’s the way it goes, at least in my experience. Not until Thursday’s premiere will I be able to savor Danse Russe, and even then I’ll probably be so preoccupied with the nuts and bolts of the performance that I won’t really experience it. If I’m lucky, I’ll be able to relax on Friday and Saturday and see the show the way the audience sees it. Or not. After all, it isn’t my job to enjoy Danse Russe. That’s your job, should you feel so moved. My job is to help make it all happen. Pleasure is optional–for now.
* * *
Danse Russe opens on Thursday at Philadelphia’s Kimmel Center for the Performing Arts. For more information, go here.

TT: Apropos of Danse Russe (III)

April 27, 2011 by ldemanski

Igor Stravinsky conducts the Toronto Symphony in a 1967 rehearsal for a performance of his Pulcinella Suite. Stravinsky composed the score for The Rite of Spring in 1913 and is a character in Danse Russe:

TT: Almanac

April 27, 2011 by ldemanski

“My music is best understood by children and animals.”
Igor Stravinsky (quoted in The Observer, Oct. 8, 1961)

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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