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Terry Teachout on the arts in New York City

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Archives for March 12, 2010

TT: Dude, where’s my God?

March 12, 2010 by Terry Teachout

My luck ran out. In today’s Wall Street Journal drama column I review three new plays, Next Fall, The Temperamentals, and Equivocation, only one of which I liked, and that one with reservations (though I do think it’s worth seeing). Here’s an excerpt.
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In art, good intentions count for something–but not much. The intentions of Geoffrey Nauffts’ “Next Fall,” a new play about a man (Patrick Breen) whose much younger lover (Patrick Heusinger) is dying, are palpably high-minded, and I suspect that many playgoers will think that this makes it worth seeing. Alas, “Next Fall” is cliché-infested and cloyingly sentimental, and the fact that it has transferred to Broadway after a successful Off-Broadway run means only that you can fool some of the people most of the time.
To say what happens in “Next Fall” is to suggest its relentless predictability. Luke (Mr. Heusinger), a simple-minded but pretty young actor-waiter, falls for Adam (Mr. Breen), a bright but frustrated writer-candle salesman of a certain age. They move in together and would undoubtedly be destined for untroubled happiness were it not that Luke is a born-again Christian whose belief in God prevents him from coming to terms with his homosexuality and admitting it to Arlene (Connie Ray) and Butch (Cotter Smith), his extremely southern parents. Solution: He prays after having sex…
Don’t be fooled by the religious trappings of “Next Fall.” We’re in the world of movie-of-the-week dramaturgy, a never-never-land of tinsel epiphanies and black-and-white creatures like Butch, who is not a human being but a symbol of intolerance…
TEmp460a.jpgIf you want to see a worthwhile new gay play, I recommend Jon Marans’ “The Temperamentals,” which suffers from some of the same faults as “Next Fall” but has the distinct advantage of being intelligent and, up to a point, unpredictable. The good part is the first act, in which we meet a group of deeply closeted gay men living in Los Angeles in the ’50s, a time when homosexuals who dared to be themselves in public invited social ostracism–or worse. The five main characters of “The Temperamentals” are the founders of the Mattachine Society, one of America’s first pro-gay organizations, and in the first act Mr. Marans introduces us to these cautious, ever-watchful men, portraying them so shrewdly and sympathetically that you want to know much, much more about the way they lived then.
I know that critics are supposed to review the show they saw, not the one they’d rather have seen, but I wish that Mr. Marans had dumped the second act of “The Temperamentals” and turned the first act into a full-length black comedy of manners about life in the Eisenhower-era closet. No sooner does “The Temperamentals” become an episode of “Great Gays in History” than it grows painfully preachy…
For sheer pretentiousness, it’d be hard to beat Bill Cain’s “Equivocation,” which has arrived in New York after making the regional rounds. This historical fantasia, in which we are invited to imagine what might have happened had King James I (David Furr) ordered William Shakespeare (John Pankow) to write a play about the Gunpowder Plot of 1605, is by turns self-consciously clever and elephantine in its contemporary political parallels…
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Read the whole thing here.

TT: Almanac

March 12, 2010 by Terry Teachout

“It is occasionally indicated to us that we are apparently setting out to give the public what we think they need–and not what they want–but few know what they want and very few what they need. In any case it is better to overestimate the mentality of the public than to underestimate it. He who prides himself on giving what he thinks the public wants is often creating a fictitious demand for lower standards which he himself will then satisfy.”
Sir John Reith, BBC internal memorandum (November 1924)

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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