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Terry Teachout on the arts in New York City

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Archives for February 16, 2010

CAAF: Morning coffee

February 16, 2010 by ldemanski

• Patti Smith on Bolaño Bolaño Bolaño part 1 and part 2 .
• Werner Herzog talks about the blending of fact and fiction in his films:

Facts per se are not so interesting for me. Facts do not illuminate; they create norms. The Manhattan phone directory has 4 million entries which are factually correct, but as a book it doesn’t really illuminate you. I’ve always said we have to look beyond realism, beyond facts.

Earlier in the interview Herzog mentions that students at his Rogue Film School receive a “mandatory reading list” but alas no specific titles are mentioned. (Via.)

CAAF: Rings like silver, shines like gold

February 16, 2010 by ldemanski

Our house is on the east side of Asheville, near the area known as Swannanoa. There’s a bluegrass song called “Swannanoa Tunnel” I like because it sounds like an aural transcription of the landscape around here: Winding, mountainous, gray-topped. I had thought the song was an instrumental but yesterday I came across a nice article, written by Lyle Lofgren and originally published in Inside Bluegrass, that contained lyrics for it. Lofgren notes that the song’s a variant on the work song “Nine Pound Hammer.” The Swannanoa iteration developed during the construction of the Swannanoa Tunnel, one of the railway tunnels that connected Asheville, then a raw scrap of city, to the rest of the country. Tunnel-digging was dangerous work. According to Lofgren, 300 men lost their lives during the project (another source places the number at 125).
As Lofgren recounts, the song was first transcribed by the Englishman Cecil Sharp and his protégé Maud Karpeles. But “[w]ithout a recording machine, they had to transcribe the words and tunes while people were singing them, and the North Carolina accents misled them badly on this song: ‘Tunnel’ became ‘town-o’ and ‘hoot owl’ was transcribed as ‘hoodow.'” (The two were also reportedly perplexed by the song’s oft-repeated chorus, “blinded by the light / wrapped up like a douche in the middle of the night.”)
Here are the lyrics:

I’m going back to that Swannanoa Tunnel,
That’s my home, baby, that’s my home.
Asheville Junction, Swannanoa Tunnel,
All caved in, baby, all caved in.
Last December, I remember,
The wind blowed cold, baby, the wind blowed cold.
When you hear my watchdog howling, somebody around,
When you hear that hoot owl squalling, somebody dying,
Hammer falling from my shoulder all day long,
Ain’t no hammer in this mountain outrings mine
This old hammer, it killed John Henry, it didn’t kill me,
Riley Gardner, he killed my partner, he couldn’t kill me,
Riley Rambler, he killed Jack Ambler, he didn’t kill me,
This old hammer rings like silver, shines like gold,
Take this hammer, throw it in the river,
It rings right on, baby, it shines right on.
Some of these days I’ll see that woman, well, that’s no dream.

The instrumental version of the song I know best is Martin Simpson’s, which is available on iTunes. Or you can listen to this version, different than Simpson’s, on YouTube.

TT: Almanac

February 16, 2010 by Terry Teachout

“Contrary to what I’d been told in the entertainment industry, people everywhere have a common shy hunger for literature.”
Charles Laughton (quoted in Time, Mar. 31, 1952)

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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