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About Last Night

Terry Teachout on the arts in New York City

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Archives for June 18, 2008

OGIC: Reading diary

June 18, 2008 by ldemanski

A review in the New York Times Book Review and one by James Wood in the New Yorker, both brimming with superlatives, propelled me toward Joseph O’Neill’s Netherland earlier this spring. The book immediately became the foremost pleasure of the two weeks during which I read it. In the mornings and afternoons, I walked to my train with added briskness; on even short ventures from the apartment, I jammed the book into my too-small purse. I enjoyed it a lot.
I did not so much enjoy the blurb it received from Jonathan Safran Foer:
“New York is not what most people imagine it to be. Just as marriage, family, friendship, and manhood are not. Netherland is suspenseful, artful, psychologically pitch perfect, and a wonderful read. But more than any of that, it’s revelatory. Joseph O’Neill has managed to paint the most famous city in the world, and the most familiar concept in the world (love), in an entirely new way.”
Blurbing a book really brings out the worst in some people. Why not let the last sentence stand? Or, if that seemed too skimpy (I would call it concise), begin with the third? The smug first two sentences don’t do the book any favors. Buy this book, dear reader, and have your gross misconceptions about New York and life in general corrected! Fun.
The book can carry its own water, anyway. Written with exacting precision in the staid, somber voice of a Dutch-born London banker working in Manhattan after 9/11, it tells how he is assimilated into immigrant life in America via the cricket fields tucked away in many a corner of New York and environs. With his half-estranged wife back in London with their son, he becomes fascinated with a mysterious acquaintance from cricket, Chuck Ramkissoon, playing Nick to Ramkissoon’s Gatsby.
The book holds you at a bit of a distance. I didn’t warm up to it or its characters, but I clamored for more and more of its delicately structured sentences and paragraphs. They seemed decadent and nourishing at the same time, and they did as much as anything else in the book to delineate the main character. Here he is remembering his uneasiness during his last visit to his mother’s home, a month before her unforeseen death:

I stood at the window, waiting for the next arrival of light. The lighthouse had been mesmeric to my boy self. He was an only child and it must be that at night he habitually stood at his bedroom window alone; but my recollection of watching the light travel out of Scheveningen contained the figure of my mother at my side, helping me to look out into the dark. She answered my questions. The sea was the North Sea. It was filled with shops queuing for entry to Rotterdam. Rotterdam was the biggest port in the world. The breakwaters were perpendicular to the beach and stopped the beach from being washed away. The jellyfish in the water might sting you. The blue of the jellyfish was the color indigo. Seven particular stars made the outline of a plow. When you died, you went to sleep.

And:

Some people have no difficulty in identifying with their younger incarnations: Rachel, for example, will refer to episodes from her childhood or college days as if they’d happened to her that very morning. I, however, seem given to self-estrangement. I find it hard to muster oneness with those fomer selves whose accidents and endeavors have shaped who I am now. The schoolboy at the Gymnasium Haganum; the Leiden student; the clueless trainee executive at Shell; the analyst in London; even the thirty-year-old who flew to New York with his excited young wife: my natural sense is that all are faded, by the by, discontinued.

Gatsby is the obvious precursor for Netherland, but there’s something of Henry James’s Lambert Strether in Hans, too. His choice is different and many of the circumstances reversed in a resolutely post-Victorian world, but the novel does have a few moral disillusionments in store for him on a similar scale. But then again, I may be stretching the case–this may just be one of those books that has a way of evoking all the major landmarks in one’s reading history.

TT: Snapshot

June 18, 2008 by Terry Teachout

Margot Fonteyn and Rudolf Nureyev dance the balcony scene in a 1966 performance by the Royal Ballet of Prokofiev’s Romeo and Juliet, choreographed by Kenneth MacMillan:

(This is the latest in a weekly series of arts-related videos that appear in this space each Wednesday.)

TT: Almanac

June 18, 2008 by Terry Teachout

“Every one rushes elsewhere and into the future, because no one wants to face one’s own inner self.”
Michel de Montaigne, “Of Physiognomy”

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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