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About Last Night

Terry Teachout on the arts in New York City

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Archives for November 7, 2007

MUSEUM

November 7, 2007 by Terry Teachout

Martin Puryear (Museum of Modern Art, 11 W. 53, up through Jan. 14). A forty-five-piece retrospective by the American Brancusi, a master woodworker whose elegantly crafted creations, by turns playful and mysterious, allude subtly to political matters without once bowing to the tyranny of the idea. Is there a better sculptor anywhere? Not in my book (TT).

TT: A month in the life (III)

November 7, 2007 by Terry Teachout

The day after I made my debut as a pseudo-scenester, I went to my neighborhood framer to pick up the latest additions to the Teachout Museum, two lithographs by Toko Shinoda, the Japanese artist whom Hilary and I discovered after seeing one of her prints in an upstairs bedroom of the Gropius House. Back then she wasn’t even a name to me, but I soon discovered that she was celebrated enough to have been collected by Charles Laughton and John Lewis–yes, that John Lewis–and written up in Time. (Neither of the pieces we bought can be viewed online, but you can see one of them by looking at my latest videoblog.)
Later that afternoon I went to Paul Moravec‘s apartment to listen to the fifth scene of The Letter, the Somerset Maugham opera we’re writing for Santa Fe Opera. Afterward we had dinner, then took a cab down to the Metropolitan Opera House to hear one of the singers who’ll be appearing in the premiere of The Letter two years from now. No names yet, but you’ll be impressed.
As we lined up to collect our tickets, I glanced at one of the fancy new TV monitors that flash information about the Met’s performances, and learned that illness had forced the singer in question to cancel out of that night’s performance.
“Damn,” I said, loudly enough that the other people in the line stared at me. (Actually I used a word of much higher voltage, one that The Wall Street Journal doesn’t print, even though it turns up fairly frequently in the plays of David Mamet.)
“What’s wrong?” Paul asked.
“Look at the screen,” I said.
“Damn,” he said. (Sort of.)
The next morning I flew to Chicago, regrettably unaccompanied by Mrs. T, who was stuck in Connecticut, waging war against the same virus that had laid her low throughout our honeymoon. Our Girl and I saw an amazingly good pair of shows and chewed over the wedding at length. Two days later I returned to New York to read my mail, write a piece, and change my underwear, and a few hours later I was en route to Smalltown, U.S.A., by way of Minneapolis, where I caught yet another important opening.
In Smalltown I told my mother all about the wedding (she’s too frail to travel by air) and ate biscuits and gravy with my brother at Bo’s, a superior barbecue joint that has just reopened after being temporarily shuttered, a disaster which forced hundreds of hungry Smalltowners to make their own biscuits or do without.
(To be continued)

TT: Good and not-so-good housekeeping

November 7, 2007 by Terry Teachout

• You will note some fresh stuff in the right-hand column. Act accordingly.
• I recently got a note from a longtime reader who mentioned in passing that he regretted my having “revoked his correspondence privileges,” which I assume means that I hadn’t written back to him lately. I hate to admit this, since I really do try to answer all my mail, but in recent months I’ve fallen down badly on the job, both here and at my Wall Street Journal mailbox. The problem is twofold. Not only do I now receive a horrendous amount of spam and publicity-related e-mail at both boxes, making it increasingly difficult for me to find the mail I want to read and answer, but I now have to use an intermittently overzealous spam filter in order to prune out the kudzu. (In addition there was also the little matter of my recent wedding, but enough about me.)
It’s worth saying again: OGIC, CAAF, and I all treasure your e-mail, and insofar as possible we mean to answer it. When we don’t, though, please keep faith in our good intentions!

TT: Almanac

November 7, 2007 by Terry Teachout

“Using a camera appeases the anxiety which the work-driven feel about not working when they are on vacation and supposed to be having fun. They have something to do that is like a friendly imitation of work: they can take pictures.”
Susan Sontag, On Photography

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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