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About Last Night

Terry Teachout on the arts in New York City

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Archives for July 5, 2006

TT: R.I.P.

July 5, 2006 by Terry Teachout

Lorraine Hunt Lieberson has died, and the world is a sadder, smaller place.


This was her most beautiful recording:


World, I stay here no longer,

I renounce thee,

that my spirit may thrive.

Here all is misery,

but there I shall behold

sweet peace, perfect repose.


Litwit recalls one of her last public performances.


Patty Mitchell remembers her at oboeinsight.


Anthony Tommasini’s New York Times obituary is here.


Charles Michener’s 2004 New Yorker profile is here.

TT: Time and again

July 5, 2006 by Terry Teachout

Last Friday I lunched at the Fairway Caf

TT: Almanac

July 5, 2006 by Terry Teachout

“I don’t recall who said it, that a corpse is all-powerful, afraid of no one. All the living want and ever hope to achieve the dead already have–complete peace, total independence. There were times when I was terrified of death. You couldn’t mention the word in my presence. When I bought a newspaper, I quickly skipped over the obituaries. The notion that I would one day stop eating, breathing, thinking, reading, seemed so horrible that nothing in life agreed with me any more. Then gradually I began to make peace with the concept of death, and more than that–death became the solution to all problems, actually my ideal. Today when I’m brought the newspapers I quickly turn to the obituaries. When I read that someone has died, I envy him. The reasons I don’t commit suicide are first, Haiml–I want to go together with him–and second, death is too important to absorb all at once. It is like a precious wine to be savored slowly. Those who commit suicide want to escape death once and for all. But those who aren’t cowards learn to enjoy its taste.”


Isaac Bashevis Singer, Shosha

OGIC: 300 books

July 5, 2006 by Terry Teachout

Books have me cornered. I thought I had them cornered, in the sense that those for which there wasn’t room in any of my six bookcases were relegated to steadily growing stacks in every available corner of the apartment. But when a new air conditioner arrived a couple of weeks ago, it robbed me of one of these corners, and what I have now is six stacks of books in the environs of the middle of my dining room. And I’m taking refuge in…a corner. So the tables have turned. I’m cool, but I’m cornered.


It’s too much. Some books have to go. One hundred books will not make a ding, let alone a dent. Realizing this, I decided that I would make it my mission to excise a neat 200 and grab back some of the air in here. But if I can rid myself of 200, the train of thought chugged along, then surely 300 is within reach? Just imagine all the lovely unfilled space! I always have believed that books do decorate a room, but towering stacks of them, I now see, do something else entirely to it. I must be getting old: for the first time in my life, I’m actually feeling a little abashed about the number of books in here and the space they–frankly, not all that attractively–take up. When did I get like this?


No matter when the new aesthetic took root or what it says about me. It’s here, and 300 books must go. I condemned 42 already today. So far it has been easy enough to say goodbye; what’s slowing me down are the keepers. Books I haven’t looked at, let alone looked into, in years. Books I forgot I owned. Books that not only aren’t going anywhere but that I just have to read right away, dropping everything. A lot of these books are going to figure in my posting in the near future as I ease my way back into blogging regularly. Some of the discards will no doubt make appearances as well.


For now, a general observation. I was a graduate student in English for many years but have not been for a little more than a year now. When you’re a graduate student–especially if you’re me–you buy books very nearly indiscriminately from new and used bookstores. You pick up free books from the box outside Powell’s or a box left outside a faculty office. You go to the annual library sale and go a little nuts. You must have books. Wanting to read a book is not a necessary condition for buying it; merely anticipating wanting to read it at some undesignated time in the future will do.


For one thing, having the right books gives you a sense of belonging and being in the know. More substantially, there’s almost nothing you can’t imagine possibly, somehow, at some point, helping you with your research, if you only have it at hand at the right time. (Actually, this outlook explains a lot about why my dissertation was doomed. There’s never not something else you can and should read, there’s always important stuff you don’t know.) Buying books added hope and subtracted anxiety. I hadn’t read a certain Raymond Williams book? That was bad. But merely buying the book, I discovered, made me feel halfway better. When my unfamiliarity with the material became a real roadblock, there it would be, readable on the spot. This, folks, is the way to amass a truly unmanageable and largely unread library.


It is also the way to amass a library that is eminently shrinkable. At this point I feel ready to part with many of the books I acquired as a striving graduate student, laughing rather than crying inside. There are many I’m keeping, as well: for instance, anything to do with Henry James, who was the subject of just one of my dissertation chapters–but the only one I was really interested in. Other schoolish volumes making the cut today were critical books on poetry and on the novels of Sir Walter Scott, and books by T. Jackson Lears, Eve Kosofsky Sedgwick, and Michael McKeon. Leading the rolls of the evictees were journal issues and edited volumes. Trust me, nothing says “throw me out the window quick” quite like an academic edited volume, especially one whose title involves the prefix “re-“.


Today’s keepable? A little book that is the antithesis of all the revisioning, remaking, and rethinking books. A model of economy, clarity, and immediacy. I only regret that I can’t include the pictures as I leave you with a few highlights from this classic for all time.

C D B!
D B S A B-Z B.
O, S N-D!


K-T S X-M-N-N D N-6.


I M N D L-F-8-R

For random CDB! pages complete with Steig’s wonderful drawings, go here and click on “Surprise Me!” on the left-hand side. You will be all delight.

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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