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About Last Night

Terry Teachout on the arts in New York City

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TT: Speaking of sleep…

June 2, 2005 by Terry Teachout

Apologies, but I drove off the road somewhere between the three pieces I wrote from scratch on Monday and Tuesday and the performance I heard last night (maybe it was during the hour-long subway ride I took to the Brooklyn Museum
yesterday morning to see the Basquiat retrospective). Whatever the reason, I decided that going to bed was the better part of not cracking up, so I temporarily suspended blogging service. Now I’m getting ready to catch a Metroliner to Washington to visit the Phillips Collection and see Arena Stage’s production of Anna Christie, which leaves me with just about enough time to take a shower and say hello.


I’ll be back in New York some time on Friday, with lots of stories to tell. In the meantime, here are some quick words to the wise:


– Jack Jones is singing at the Algonquin Hotel’s Oak Room through June 11. Go. Tony Bennett already has–he was sitting across the room from me on Tuesday night.


– Luciana Souza is singing at the Jazz Standard through Sunday. Go. I was there last night, and so were what seemed like half the musicians I know.


That’s all for now. See you when I get back.

TT: Almanac

June 2, 2005 by Terry Teachout

“There is nothing
like desire for preventing the thing one says from bearing any
resemblance to what one has in one’s mind. Time presses, and yet it
seems as though we were seeking to gain time by speaking of subjects
absolutely alien to that by which we are obsessed.”


Marcel Proust, Le C

OGIC: Light sleepers

June 2, 2005 by Terry Teachout

Here’s my main trouble in life: I’m a morning person and a night owl. I think I never really got over the sense of injustice and deprivation all children harbor about having to go to bed–the certainty that they’ll miss out on something, the slight skepticism that another day will really dawn and the whole cycle will start over again, and the instinctive resistance to endings of any kind. When you’re eight, bedtime feels like a life sentence.


In my ostensible adulthood, I still have a romantic attachment to the small hours of the night; they feel like the temporal equivalent of mad money, to be used however one pleases–not to put too fine a point on it, to be pleasantly wasted. As an adult, I know morning will come, and with it a renewed sense of possibility, not to mention the day’s best light. So I’m jealous of that time as well, and if I sleep past eight or nine–which I usually do when I don’t have to be anywhere–I feel profoundly cheated. Trouble is, if I indulge on both ends, I’m left with about four hours of sleep per night, not a quantity on which I function well. I know, I know–you say nap. Alas, I’m the world’s worst napper (it leaves me groggy for the rest of the day), and I hate to miss all of the other times of day, too.


So it’s going on 2:00 now, my alarm will ring in less than five hours, my eyelids are fighting to hold at half-mast, and yet here I sit. Tonight is not the ideal example, since I’m blogging the time away rather than merrily frittering it. But it’s close enough.


Don’t get me wrong: I’m a big fan of sleep. It’s my favorite remedy for any ailment and a particular temptation since I bought my first new mattress set a couple of years ago after a decade of sleeping on futons and castoffs. I didn’t really know what I was doing when I shopped for the mattress, but I did something right–it’s heavenly. So nope, I don’t want to give up any sleep at all; I want the sleep, the late nights, and the bright mornings–24-hour days plus 8-hour nights. But the one thing that would seriously throw a wrench into my contentedness is insomnia.


Which is all a circuitous way of recommending a book to you. A little while back, a reader wrote asking me for summer reading suggestions. I have a few in mind, and the first is Robert Cohen’s smart novel about insomnia, Inspired Sleep. The book’s protagonist, Bonnie Saks, is a single working mom and longtime ABD student in search of slumber. In desperation, she submits herself to a sleep study. In this passage, set in a lab, the experimental treatment she undergoes seems to work:

She closed her eyes. She could feel her tension rising up, as it did every night, to do battle with her exhaustion. Vague sounds of traffic swished by in the distance. Night people, headed home. She thought of the young man next door, somber and alert, bathed in light, monitoring every flicker of response on the scrolling screen. Up and down: it seemed all her nocturnal complexities could be reduced to that. Patiently he had explained the many exquisite functions of the recording equipment–how they tracked the alpha and delta waves, the eye movements, the muscle convulsions, K-complexes, oxygen saturation, and sleep spindles. What had he called them? The deepest mechanisms of the self. It was a comfort to know they were at work, minding the store in her absence.It gave her a pleasant feeling of security. She began to feel very far from things, and at the same time oddly imminent, on the verge of a salient truth.


She’d been wrong–it was not sleep but the waking life that was the interlude between the acts, the bright but meandering intermission. Because now, with the lights off, that whole state of being simply collapsed, as crumpled and disposable as a coffee cup. She had been lingering out in the lobby much too long. Now the intermission was over. Now she was back, facing the stage where all her heart’s noisy operettas were playing and playing, forever trying to complete themselves. And now the house lights were going down, and the curtains drawing open, and she was being ushered in, and all the separate players in night’s continuous orchestra were rising up in concert with their finely tuned instruments, getting ready to welcome her, the errant maestro, back to the podium at last.

Inspired Sleep is available in a trade paperback edition. More recommendations down the road. For now, sweet dreams.

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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