“There is no single Greek literary work of art as great as The Divine Comedy; there is no extant series of works by a single Greek literary artist as impressive as the complete plays of Shakespeare; as a period of sustained creative activity in one medium, the seventy-five-odd years of Athenian drama, between the first tragedies of Aeschylus and the last comedy of Aristophanes, are surpassed by the hundred and twenty-five years, between Gluck’s Orpheus and Verdi’s Otello, which comprise the golden age of Italian opera: nevertheless, the bewildered comment of any fifth century Athenian upon our society from Dante’s time till our own, and with increasing sharpness every decade, would surely be: ‘Yes, I can see all the works of a great civilization; but why cannot I meet any civilized persons? I only encounter specialists, artists who know nothing of science, scientists who know nothing of art, philosophers who have no interest in God, priests who are unconcerned with politics, politicians who only know other politicians.'”
W.H. Auden, “The Greeks and Us” (from Forewords and Afterwords)