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About Last Night

Terry Teachout on the arts in New York City

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Archives for May 17, 2005

OGIC: Diaries unkept and unkempt

May 17, 2005 by Terry Teachout

When Terry posts an “Entry from an Unkept Diary,” I look at the title and invariably see “Entry from an Unkempt Diary.” This amuses me, but it also reminds me of the journals, very much kept, of my slightly younger self. They are pretty fat and unkempt tomes, stuffed with bits of paper scribbled on at times when the journal wasn’t at hand and salted away between the pages or, once in a while, scotch-taped in. It has been years now since I’ve attempted to keep a regular diary. I’m still a sucker for a nice blank book, however, and I buy them and try to think of other things to fill them up with than end-of-the-day thoughts, which in my case hardly ever failed to amount to small litanies of complaints–about work, about friends, but mostly about those two great sources of dissatisfaction, boyfriends and me, that is, my own fallibilities and failures. Sometimes I’d try to write about things outside the making-me-grumble and making-me-swoon zones, but those labored entries were always the worst: stiff, studied, insufferable. They always raised the same uncomfortable question when I’d finished: who the hell did I think I was writing that for? Just what audience of distinguished prize panelists did I imagine was going to be rooting around in my nightstand drawer for li-terature?


Yecch. Back to slights and betrayals and crushes. That junk, now–that flowed like Leinie’s at Jimmy’s Woodlawn Tap [aside: hellooo, Frommers’ best editor!]. But could anything be more banal? Let’s just say I’m not so sorry I put a stop to all of that.


Still, these days I continue to like the idea of keeping a record of my daily life, but I lean away from the subjective and toward the objective variety. Not so far in that direction as Andy Warhol–no taxi cab receipts or anything–but definitely in that direction. Off and on, I’ll squirrel away my movie ticket stubs. They’re dandy little documents, packing quite a bit of data into the space of a couple postage stamps: the date, the movie title, the showtime, the theater’s name, the price. This, for me, is the sort of artifact that can evoke a whole day besides: the company, the weather outside, the pre-movie or post-movie meal, the comparing of notes after the show. I very much want to have been keeping this book already, but it always feels too late to start. It feels especially futile now, when I’m tempted out to the movies less and less frequently (a subject for another post). Still, I should do it. If I don’t, I’ll think of it next year and wish I had started now.


Another possible structured diary I’m always thinking about starting is the Lake Diary. I live a few blocks from Lake Michigan, and it looks different to me every day. If one day it is the same color as the day before, the sky is probably different. If the sky is the same color, too, the texture of the water surface is different. There’s not a day I see that lake and don’t say to myself–or to whoever is lucky enough to be around–“Look at the lake!” On a day not too long ago, the remarkable visual effect happened to be that while most of the lake surface was soft and nubbly, it turned shiny and glassine in the cup formed where Promontory Point curves back inland to the north. Sometimes lake and sky are both silver-gray, and the horizon is rubbed out or blurred, as if an eraser had been taken to it more or less skillfully. The possible and actual variations within this simple set of elements, lake-sky-color-texture, are infinite. And as certain reading tastes of mine go to show, I’m ever fascinated by subtle variations on a recurring theme (the variable elements in this case being color-damsel-scoundrel-scam).


So what kinds of diaries do you keep or aspire to keep? Tidy? Or un?

TT: The Teachout way

May 17, 2005 by Terry Teachout

In case you were wondering, I fell off the Proust bandwagon for a couple of weeks. Unlikely as it may sound, my attention was diverted by Conrad Black’s Franklin Delano Roosevelt: Champion of Freedom, which isn’t quite as long as A la recherche du temps perdu, though it seemed that way toward the end. Fortunately, I wrapped it up last week, and am now deep into Le C

TT: While you can

May 17, 2005 by Terry Teachout

Two off-Broadway plays I liked very much are closing very soon. If you haven’t seen them, do:


– Heather Raffo’s Nine Parts of Desire closes May 22. Here’s part of what I wrote about it in The Wall Street Journal:

Heather Raffo, the Iraqi-American playwright and performer of “Nine Parts of Desire,” directed by Joanna Settle and now playing Off Broadway at Manhattan Ensemble Theater, brings us closer to the inner life of Iraq than a thousand slick-surfaced TV reports. Yet her beautifully shaped one-woman play is a play, not a stodgily earnest piece of documentary theater, and therein lies its singular force and compulsion: It is persuasive precisely because it is beautiful.


Ms. Raffo’s enigmatic title is explained in her epigraph, a maxim of Ali ibn Abu Taleb, founder of the Shia sect and fourth leader of the Islamic world after Mohammed: “God created sexual desire in ten parts; then he gave nine parts to women and one to men.” The nine characters she portrays are based on a large and diverse group of real-life women–a doctor, a painter who ran the Saddam Art Center, a left-wing political exile living in London, a young girl who loves the music of ‘N Sync–whom she interviewed over the past decade, and she evokes their dissimilar personalities (and appearances) with a precision reminiscent of Jefferson Mays’ high-wire acts of multiple impersonation in “I Am My Own Wife.” Each one is wholly believable, but not in the straight-from-the-transcript manner of such exercises in theatrical polemic as “Guant

TT: Almanac

May 17, 2005 by Terry Teachout

Do you miss the scene,

The frenzy, the faces?

And did you trade the whole parade

For a pair of parking places?

And if you had the choice,

Would you still choose to do it all again?

Are you sitting in front of the tube

Watching
Annie Hall again?

And do you ever run into that guy

Who used to be you?

Tell me, do you miss New York?

Me, too.


Dave Frishberg, “Do You Miss New York?”

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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