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About Last Night

Terry Teachout on the arts in New York City

TT: Almanac

May 18, 2005 by Terry Teachout

“‘There is no man,’
he began, ‘however wise, who has not at some period of his youth said
things, or lived in a way the consciousness of which is so unpleasant
to him in later life that he would gladly, if he could, expunge it
from his memory. And yet he ought not entirely to regret it, because
he cannot be certain that he has indeed become a wise man–so far as
it is possible for any of us to be wise–unless he has passed through
all the fatuous or unwholesome incarnations by which that ultimate
stage must be preceded. I know that there are young fellows, the sons
and grandsons of famous men, whose masters have instilled into them
nobility of mind and moral refinement in their schooldays. They have,
perhaps, when they look back upon their past lives, nothing to
retract; they can, if they choose, publish a signed account of
everything they have ever said or done; but they are poor creatures,
feeble descendants of doctrinaires, and their wisdom is negative and
sterile. We are not provided with wisdom, we must discover it for
ourselves, after a journey through the wilderness which no one else
can take for us, an effort which no one can spare us, for our wisdom
is the point of view from which we come at last to regard the world.
The lives that you admire, the attitudes that seem noble to you are
not the result of training at home, by a father, or by masters at
school, they have sprung from beginnings of a very different order, by
reaction from the influence of everything evil or commonplace that
prevailed round about them. They represent a struggle and a victory. I
can see that the picture of what we once were, in early youth, may not
be recognisable and cannot, certainly, be pleasing to contemplate in
later life. But we must not deny the truth of it, for it is evidence
that we have really lived, that it is in accordance with the laws of
life and of the mind that we have, from the common elements of life,
of the life of studios, of artistic groups–assuming that one is a
painter–extracted something that goes beyond them.'”


Marcel Proust, A l’ombre des jeunes filles en fleurs (trans. C.K. Scott Moncrieff)

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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