• Home
  • About
    • About Last Night
    • Terry Teachout
    • Contact
  • AJBlogCentral
  • ArtsJournal

About Last Night

Terry Teachout on the arts in New York City

You are here: Home / 2004 / September / Archives for 17th

Archives for September 17, 2004

TT: Inch by inch

September 17, 2004 by Terry Teachout

Madeleine Peyroux’s Careless Love, about which I wrote in yesterday’s Wall Street Journal, is now #3 (!) on amazon.com, at least as of the time stamped on this post.


You go, girl.


UPDATE: Now she’s at #2. You go, readers!

TT: Sad clowns, cute psychopaths

September 17, 2004 by Terry Teachout

After a two-week vacation-related hiatus, the Friday drama column of The Wall Street Journal is open for business again this morning. I reviewed two shows, Slava’s Snowshow and an off-off-Broadway revival of Joe Orton’s Entertaining Mr. Sloane, and liked them both:

Created by Slava Polunin, best known in the U.S. for his work with Cirque du Soleil, “Slava’s Snowshow” is a zany fantasia for five melancholy-looking Russian clowns, several squirt bottles full of water, a dozen or so king-sized balloons, enough fog to shut down an airport and enough confetti to welcome home an astronaut.


I’m acutely allergic to pretentious clownery, so when I read that Mr. Polunin was influenced by Fellini and describes his brand of theater as “counter-Beckett,” I reached for the nearest cream pie. Fortunately, nobody says anything out loud in “Slava’s Snowshow” (nothing intelligible, that is), and whatever Mr. Polunin thinks it all means, the results aren’t even slightly intellectual, though my guess is that American dancegoers will detect a certain resemblance to the quirky comedy of Pilobolus Dance Theatre, minus the dancing. To be sure, the self-contained vignettes that make up “Slava’s Snowshow” are not without their dark moments–especially the bit in which Mr. Bolunin lurches around the stage with a chestful of arrows

TT: Brush with greatness

September 17, 2004 by Terry Teachout

I went to Joe’s Pub on Thursday to hear the debut of what may ultimately evolve into something of a vocal supergroup. Voices Collective consists of Theo Bleckmann, Peter Eldridge, Kate McGarry, Lauren Kinhan, and Luciana Souza, all of whom have formidable individual reputations (and one of whom has figured frequently and prominently on this blog right from the start).


Here’s how the Joe’s Pub Web site described them:

Voices Collective is a meeting of some of New York’s most talented and diverse jazz singers…For this evening at Joe’s Pub, they make their world premiere, uniting all their creative talents; presenting original compositions from each member and resetting them for five voices and a trio. Peter Eldridge and Lauren Kinhan are members of New York Voices and also have solo projects of their own in the original song writing arena; Theo Bleckmann is one of the vocal magicians with Meredith Monk and his own genre-bending work; Kate McGarry has been gracing New Yorkers with her soulful timbre for many years; Luciana Souza has been at the Pub in all her incarnations, Brazilian, jazz, and poetry-inspired.

The extreme stylistic diversity of these five singers is part of what made their first performance as a group so thrilling, ranging as it did from a heartfelt version by McGarry of Neil Young’s “Old Man” to an electronically enhanced duet by Bleckmann and the avant-garde jazz guitarist Ben Monder, a member of the trio that accompanied Voices Collective and another of my favorite New York-based instrumentalists. Most of the ensemble vocals, including Souza’s gorgeous unaccompanied setting of Joni Mitchell’s “Shadows and Light,” were sung in skin-tight five-part harmony

TT: Almanac

September 17, 2004 by Terry Teachout

“She was definitely the sort of girl who puts her hand over a husband’s eyes, as he is crawling in to breakfast with a morning head, and says: ‘Guess who!'”


P.G. Wodehouse, The Code of the Woosters

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

Follow Us on TwitterFollow Us on RSSFollow Us on E-mail

@Terryteachout1

Tweets by TerryTeachout1

Archives

September 2004
M T W T F S S
 12345
6789101112
13141516171819
20212223242526
27282930  
« Aug   Oct »

An ArtsJournal Blog

Recent Posts

  • Terry Teachout, 65
  • Gripping musical melodrama
  • Replay: Somerset Maugham in 1965
  • Almanac: Somerset Maugham on sentimentality
  • Snapshot: Richard Strauss conducts Till Eulenspiegel

Copyright © 2023 · Magazine Pro Theme on Genesis Framework · WordPress · Log in