• Home
  • About
    • About Last Night
    • Terry Teachout
    • Contact
  • AJBlogCentral
  • ArtsJournal

About Last Night

Terry Teachout on the arts in New York City

TT: Crime and punishment?

June 25, 2004 by Terry Teachout

As the entire book-reviewing world knows by now, Michiko Kakutani’s evisceration of Bill Clinton’s My Life in the daily New York Times has been followed by Larry McMurtry’s canonization of same in the Times Book Review.


Perhaps not surprisingly, some politically oriented folks who don’t seem to understand the mechanics of the book-review biz have jumped to the conclusion
that Review B was in some way intended as penance for Review A. “About Last Night” has and will have no official opinion on the literary merits of My Life, or of the two reviews published in the Times–we don’t do politics here–but speaking as an old book-reviewing hand, I can assure you from a safe distance that it couldn’t possibly have happened that way. Both reviews would have been assigned separately and before the fact, and their dates of publication were clearly determined by the date of publication of My Life, not by any corporate desire on the part of the Times to kiss up to said book’s author. (As for the early posting of McMurtry’s review on the Times‘s Web site, I’d have done exactly the same thing if I’d been in charge. The Clinton book is news, and news is a dish that tastes best when served piping hot.)


Regarding the mutually contradictory contents of the two reviews, I’d say they bespeak a pretty impressive degree of book-related vitality on the part of the New York Times. Most American newspapers, after all, don’t review books even once, much less twice. Like it or not, My Life is by definition an important book, and the Times has pitched two critical change-ups on it in the course of a single week. First came a savage pan by one of the paper’s in-house critics, followed by a fellatial rave from an outsider writing in its weekly book-review supplement–a publication run, I might add, by an editor
whose alleged right-wing sympathies have been the subject of considerable discussion in the literary sector of the blogosphere. Whatever else those reviews were, they definitely weren’t predictable.


All in all, I’d say the Times just had itself a pretty good week, bookwise.


UPDATE: The third link above is to Jonah Goldberg’s comments at “The Corner,” National Review‘s on-line site. Jonah responds
as follows:

Terry knows more — much more — about such things than I do and I defer to him for the most part. That said, it doesn’t quite wash that the reviews are unrelated in anyway since McMurtry makes pretty much a direct reference to the first Times review in his attempt to debunk the notion that Clinton’s book isn’t better than Grant’s autobiography. Maybe the Times Sunday Book Review supplement editor, Sam Tanenhaus, is off the hook on the conspiracy charge, but McMurtry’s review still seems like a rushed rescue mission for a doomed book than an intellectually honest or even serious effort….

Quite so–McMurtry’s review does make “blind” reference to Kakutani’s mention of Grant’s Personal Memoirs–but given the short time frame, I assume the reference was either inserted in the course of editing in order to make the review more timely, or the whole review was delivered by McMurtry at the last possible minute. The latter wouldn’t surprise me in the slightest. I suppose I shouldn’t admit this in public, but it’s not my habit to write most of my reviews more than a day or so prior to their deadlines, if that much!


MORE: A reader writes:

I liked your analysis of the independence of McMurtry’s review. I’m not sure if McMurtry was referring exclusively to the original Times review by referencing comparisons to Grant’s memoirs, however. A Google news search shows many many hits for articles containing both Clinton and Ulysses. This one yields over 500 hits. The original Times review may have provoked all that came afterwards, but does it look to you as if there was a subsequent tsunami which was worth addressing?

A good question, to which I have no answer. Still, it provides additional circumstantial evidence that McMurtry was writing off his own bat, not somebody else’s.

Filed Under: main

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

Follow Us on TwitterFollow Us on RSSFollow Us on E-mail

@Terryteachout1

Tweets by TerryTeachout1

Archives

June 2004
M T W T F S S
 123456
78910111213
14151617181920
21222324252627
282930  
« May   Jul »

An ArtsJournal Blog

Recent Posts

  • Terry Teachout, 65
  • Gripping musical melodrama
  • Replay: Somerset Maugham in 1965
  • Almanac: Somerset Maugham on sentimentality
  • Snapshot: Richard Strauss conducts Till Eulenspiegel

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in