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About Last Night

Terry Teachout on the arts in New York City

TT: Almanac

June 21, 2004 by Terry Teachout

“The estate office was still empty, lit silently by the sun through closed shutters. Although the scene of more frivolity than anywhere else in the villa, its appearance was of calm austerity. On whitewashed walls, reflected in wax-polished tiles, hung enormous pictures representing the various Salina estates: there, in bright colors contrasting with the gold and black frame, was Salina, the island of the twin mountains, surrounded by a sea of white-flecked waves on which pranced beflagged galleons; Querceta, its low houses grouped around the rustic church on which were converging groups of bluish-colored pilgrims; Ragattisi, tucked under mountain gorges; Argivocale, tiny in contrast to the vast plains of corn dotted with hard-working peasants; Donnafugata, with its baroque palace, goal of coaches in scarlet and green adn gilt, loaded with women, wine, and violins; and many others, all protected by a taut reassuring sky and by the Leopard grinning between long whiskers. Each picture was festive–each trying to show the enlightened empire, like wine, of the House of Salina. Ingenuous masterpieces of rustic art from the previous century; useless, though, at showing boundaries, or detailing areas or tenancies; such things remained obscure. The wealth of many centuries had been transmitted into ornament, luxury, pleasure; no more; the abolition of feudal rights had swept away duties as well as privileges; wealth, like an old wine, had let the dregs of greed, even of care and prudence, fall to the bottom of the barrel, leaving only verve and color. And thus eventually it cancelled itself out; this wealth which had achieved its object was composed now only of essential oils–and, like essential oils, it soon evaporated. Already some of the estates which looked so gay in those pictures had taken wing, leaving behind only bright-colored paintings and names. Others seemed, like those September swallows which though still present are grouped stridently on trees, ready for departure. But there were so many; it seemed they could never end.”


Giuseppe di Lampedusa, The Leopard

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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