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About Last Night

Terry Teachout on the arts in New York City

TT: Funny and otherwise

December 19, 2003 by Terry Teachout

I reviewed the openings of two off-Broadway shows, Neil Simon’s Rose’s Dilemma
and Bill Irwin’s The Regard Evening, in this morning’s Wall Street Journal.


About the first I was tepid:

“Rose’s Dilemma” is worth seeing, albeit for a sad reason: Mr. Simon is 76 and in fragile health, and my guess is that he intended it as his farewell to the theater. The self-pitying tone of the play, which tells the story of Rose Steiner (Patricia Hodges), an aging, hopelessly blocked playwright who is haunted by the imagined ghost of Walsh McLaren, her old lover (John Cullum), leaves little doubt of that. “You sound like a caricature of yourself that fell off the wall at Sardi’s,” Rose tells Walsh at one point. I winced, suspecting that Mr. Simon’s satirical gun was aimed at his own forehead.


Unlike Rose, Mr. Simon is still in there pitching, but he’s lost his curveball. “With Neil Simon,” the playwright David Ives once told me, “you can sort of walk out of the theater and hum the jokes, like humming the tunes from a musical.” Alas, the jokes in the first act of “Rose’s Dilemma” are tuneless, though their metronomic rhythm–setup, payoff, setup, payoff–keeps clacking away relentlessly. That’s the problem: The first act feels like a comedy, only it isn’t funny….

About the second I wasn’t:

[T]his revival of “The Regard of Flight,” Mr. Irwin’s 1982 spoof of postmodern theater and its malcontents, runs through Jan. 25. That gives you plenty of time to see it at least once, and preferably twice. Not only is it a hoot and a half, but Mr. Irwin has tacked on a brief afterpiece in which the three characters of “The Regard of Flight” grapple ineptly with life in the age of e-mail and cell phones. It’s superfluous–the original show is perfect–but it does give you 20 extra minutes in the company of Mr. Irwin and his droll colleagues, and that’s good enough for me…

No link, so to read the whole thing, buy this morning’s Journal, turn to the “Weekend Journal” section, and regale yourself with a wide variety of arts and culture coverage, all for a dollar. It’s the best deal in town.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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