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About Last Night

Terry Teachout on the arts in New York City

OGIC: Good reads

December 17, 2003 by Terry Teachout

Ed Page at Danger Blog! has excavated an old New Yorker piece in which James Thurber imagines how Hemingway would rewrite a Chirstmas classic. Here’s a small taste:

The children were in their beds. Their beds were in the room next to ours. Mamma and I were in our beds. Mamma wore a kerchief. I had my cap on. I could hear the children moving. We didn’t move. We wanted the children to think we were asleep.


“Father,” the children said.


There was no answer. He’s there, all right, they thought.


“Father,” they said, and banged on their beds.

(Via Maud.)


The Wall Street Journal‘s column 4 has a terrific story today about Brooklyn’s last remaining seltzer truck. You know the mantra: no link, but this piece alone is well worth the buck for the paper:

Spritzed by Flatbush Avenue traffic on a wet morning, the last known seltzer truck in New York City was a double-parked apparition, its tiers of lopsided racks holding a cock-eyed pile of siphon bottles in cracked, wooden crates.


Arnold Brenner, a psychoanalyst walking to work, spotted the truck just as Ronny Beberman, the seltzerman, was wheeling a delivery toward an apartment-house door. Dr. Brenner yelled, “How much is a….” But Mr. Beberman was already inside.


Dr. Brenner stood unactualized on the sidewalk. “I was thinking I could get a case,” he said. “It’s the spritz that does it–that fizz–so soothing, so strong. Reminiscent of something, something romantic.”


Ronny Beberman has his own analysis of the spritz mystique: Because nobody wants it anymore, seltzer has become desirable.


“People, they don’t know what seltzer is,” he says. “They moved from Iowa. They ask me, ‘What’s in those bottles?’ I have people, they chase me in their cars. They’re disenchanted. They’re drinking out of plastic.”

Mr. Beberman emerges from this wonderful piece a genuinely romantic figure, the unbowed last relic of a business you’ll be amazed (and grateful) to find has not quite died out yet. Buy the paper, read the whole piece. You’ll get a Count Basie review and a profile of a fashion photographer into the bargain.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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