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About Last Night

Terry Teachout on the arts in New York City

TT: The old-fashioned way

November 21, 2003 by Terry Teachout

I gave Anna in the Tropics a rave in this morning’s Wall Street Journal:

When coolness is all, nothing is so deadly as to be declared old-fashioned. So please don’t get me wrong when I say that Nilo Cruz’s “Anna in the Tropics,” which opened Sunday at the Royale Theatre, is old-fashioned in the best sense of the word. It’s melodramatic, unabashedly poetic and perfectly serious–and it won a Pulitzer Prize from a panel of judges who’d never seen it on stage, a circumstance that left me wondering whether it could possibly be any good, especially in light of the suspiciously convenient fact that Mr. Cruz was (quoth the press release) “the first Latin American to win the coveted prize for drama.” Nobody ever went far wrong questioning the motives of Pulitzer judges, but this particular bunch, God knows how, managed to hit the target. “Anna in the Tropics” touched me as much as anything I’ve seen since I started writing this column….

I also very much liked the new production of Shakespeare’s Henry IV
that just opened at Lincoln Center’s Vivian Beaumont Theater, directed by Jack O’Brien and starring Kevin Kline as Sir John Falstaff:

He’s properly sly and unctuous, and if his Falstaff is perhaps a bit too much the roguish clown, he nonetheless rises with ease to the terrible moment when Prince Hal (Michael Hayden) betrays him. “I know thee not, old man,” declared the newly crowned king, and the audience gasped–I’m not exaggerating–as Mr. Kline reeled at the shock of his public humiliation.


As I say, there’s much else to like about this “Henry IV.” Mr. O’Brien imposes no high directorial concepts of his own, dressing his players in conventional period garb and letting Shakespeare be Shakespeare….It’s Shakespeare for moviegoers, in short, “popular” in the same pleasing way that “Anna in the Tropics” is old-fashioned. It runs through Jan. 11, and you won’t be sorry to see it.

No link, so to read the whole thing (including my two cents’ worth about Oldest Living Confederate Widow Tells All, which closed after one performance, which was one too many), buy today’s Journal and look me up in the “Weekend Journal” section, which is worth reading for all sorts of other reasons.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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