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About Last Night

Terry Teachout on the arts in New York City

TT: Present at the creation

November 16, 2003 by Terry Teachout

From Instapundit, who is referring to the Washington Post article about arts blogs which I discussed (and linked) here:

THE BLOGOSPHERE IS, LIKE, TOTALLY INBRED: Er, except that I haven’t ever heard of most of these blogs, which are nonetheless a big thing in their part of the sphere, I gather.


There are more things in the blogosphere, Jennifer Howard, than are dreamt of in your articles….

Er, you, too, Instapundit. For as this post reminds us, the “warbloggers” (i.e., the political bloggers who mostly sprang to life in the wake of 9/11) and the arts bloggers (i.e., Our Girl and I and all the other folks mentioned in Jennifer Howard’s article) don’t seem to overlap all that much. To be sure, there’s lots and lots more of them than there are of us. “About Last Night”‘s traffic has gone through the roof on the infrequent occasions when the warblogging sector of the blogosphere has taken note of our activities. But for the most part we arts bloggers go our own way quite happily, gradually building an audience of interested readers, some of whom also visit the warblogs (as I do) and some of whom don’t.


Meaning what? That many more people are interested in politics than art (surprise!). That it’s a big pool, with plenty of room for everybody. Above all, that the Web has the power to create and foster far-flung, widely dispersed “communities” of strangers with common interests–and to do it on the cheap.


Jeff Jarvis, who blogs at BuzzMachine, reported yesterday (in near-real time, no less!) on a speech given by Andrew Sullivan, one of the pioneer bloggers, to the Online News Association. Here are his notes:

What sets apart weblogs, [Sullivan] says, is economics: He talks about the economics of thoughtful journalism: The New Republic has never made money and loses more. The Nation doesn’t make money.


“And then I experienced blogging as an alternative. It staggers me to realize that last week, AndrewSullivan.com… is now reaching more people online than the magazine I used to edit, which is still losing… hundreds of thousands of dollars a year. That’s a big deal… We haven’t just made the economics of journalism cheaper…. We haven’t just lowered the barriers to entry to journalism, we’ve completely revolutionized it.”


“The overhead is minimal and the reach is almost infinite.”

The fact that Andrew Sullivan is English may be relevant in this connection. In the U.S., journalism came over the past half-century to be viewed as a “profession”–something you can’t do without formal training and, preferably, an academic degree. In Europe, it’s something that can be and is done by any literate person for whatever reason–to make money, to help shape the cultural conversation, even just for fun.


I think the second model makes more sense, and also makes for better, livelier journalism. Most newspaper and magazine editors disagree, and prior to the emergence of the blogosphere, they ran things. Now they don’t. Which might just be the most important thing about blogs: they have brought about a wholesale revival of “amateur” journalism, in the very best sense of the word.


That’s the lead–not that Instapundit hasn’t heard of Maud, or that Jennifer Howard thinks TMFTML is too snarky. This is new. And it matters. And you’re here.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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