• Home
  • About
    • For What it’s Worth
    • Michael Rushton
    • Contact
  • AJBlogs
  • ArtsJournal

For What It's Worth

Michael Rushton on pricing the arts

L3C’s in the arts (updated with citation info)

May 26, 2014 by Michael Rushton 1 Comment

no future?I have a new working paper up on L3C’s in the arts, which you can download for free here. If you were there, it’s the paper I presented at Social Theory, Politics and the Arts in Seattle last October, cleaned up and revised.

The abstract:

Traditionally, the choice of organizational form facing an arts entrepreneur has been between starting a commercial enterprise or a nonprofit. Recently, state governments across the United States have passed authorizing legislation for various forms of hybrid organizations that combine elements of the commercial and nonprofit. This paper presents an overview of the evolution of hybrid organizations, and the associated policy and governance questions that arise. It concludes that hybrids, at least in their current state, do not present a model likely to be widely adopted in the arts.

UPDATE: The article has now been published, so if you want an up-to-date citation, it is Michael Rushton, “Hybrid Organizations in the Arts: A Cautionary View” Journal of Arts Management, Law, and Society 44(3) (2014): 145-52.

 

Share:

  • Click to email a link to a friend (Opens in new window) Email
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • Click to print (Opens in new window) Print

Related

Filed Under: issues

Trackbacks

  1. ArtsJournal – Top Posts From AJBlogs 05.26.14 says:
    May 26, 2014 at 10:53 pm

    […] Idea Can Do Without Art” AJBlog: PostClassic | Published 2014-05-26 L3C’s in the arts AJBlog: For What it’s Worth | Published 2014-05-27 The Hidden News Behind The Saudi Museum Boom […]

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Michael Rushton

Michael Rushton taught in the Arts Administration programs at Indiana University, and lives in Bloomington. An economist by training, he has published widely on such topics as public funding of the … MORE

About For What It’s Worth

What’s the price? Everything has one; admission, subscriptions, memberships, special exhibitions, box seats, refreshments, souvenirs, and on and on – a full menu. What the price is matters. Generally, nonprofit arts organizations in the US receive about half of their revenue as “earned income,” and … [Read More...]

Archives

Recent Comments

  • Carlo on What to do with the NEA? Make it Conservative?: “The Kennedy Center is offering $25 tickets in only select orchestra seating for the performances of Washington National Opera: Porgy…” May 20, 14:17
  • Carlo on Art in Turbulent Times: “The Kennedy Center today is selling discounted tickets for the Washington Opera for $20.” May 1, 21:31
  • Montague Gammon III on Art in Turbulent Times: “We would like to think that a Trumped Kennedy Center would experience a significant downturn in attendance, but we should…” Apr 22, 05:51
  • Ed Comet on What do to with the NEA? Pull the plug?: “The author has gone to the Grand Canyon with a magnifying glass, and found the rocks uninteresting.. The NEA does…” Apr 12, 16:42
  • Brtian Newhouse on What do to with the NEA? Pull the plug?: “I think that for arts patronage to work, there has to be some consensus that the activities of making and…” Apr 12, 14:28
Return to top of page

an ArtsJournal blog

This blog published under a Creative Commons license

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in