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Michael Rushton on pricing the arts

Dynamic pricing in a disaster

May 26, 2013 by Michael Rushton 2 Comments

should have increased the priceDynamic pricing involves adjusting prices for a specific product in light of new information regarding consumer demand (see my earlier post here). Airlines and hotels will increase prices for a specific flight, or a room on a particular night, upwards if sales on those items are more brisk than was anticipated (and they will lower prices if sales are more sluggish than expected). It is also applied in the arts, although rarely, perhaps with good reason: it takes attention and effort to constantly monitor demand and choose new prices, and consumers might be very averse to unanticipated price increases (whereas airlines and hotels typically do not have that problem, since we expect variable prices in those sectors).

One positive factor about flexible prices is that price movements in response to demand ensure that those who value specific goods most highly are the ones to whom those scarce goods are allocated. For example, suppose there are only a few seats left on the 8:10 flight from Abilene to Albuquerque. Ideally, those remaining seats would go to those who most highly value them, who simply must get on that flight, rather than to those who are relatively indifferent between being on that 8:10 flight or catching one some other time, or simply deciding to drive instead of flying. As the price rises in the face of a dwindling number of remaining seats, those who really need to be on the flight are willing to pay the higher price (the airline only raises the price to a level where it still expects there to be customer demand), and those who are relatively indifferent will decline to buy, the price being too high, and will find an alternative time or means of transport. The price system, without anybody actually intending it to do so, solves a social allocation problem: how to ensure goods and services go to those who value them most highly (For a scholarly reference: this insight came from Friedrich Hayek).

This is why economists are generally not in favor of laws regulating so-called “price gouging”. Via Kids Prefer Cheese, we have this report that the state of Oklahoma has a law that prohibits price increases of more than ten percent when a state of emergency has been declared, and that some hotels and car rental agencies are being investigated, in the wake of the recent tornado. But in a disaster, as at any time, we want goods and services to go to their highest valued use. For some people, finding a rental car will be extremely important. But demand will be high. Those desperately in need of a car will prefer paying a sharply increased price to finding that no agency has any cars left to rent. Likewise with hotel rooms, or bottled water, or any other good. Prices should increase when demand spikes upward.

 

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Comments

  1. Robert Atkinson says

    November 20, 2013 at 6:03 pm

    I love the concept of dynamic pricing and be able to efficiently allocate resources.

    I’m particularly interested in applying a dynamic pricing platform to the golf industry. What are you thoughts?

    Companies like GolfNow.com and EZlinks.com are the first of its kind in this industry. Right now, roughly 14% of all golf reservations are being made online; that number is going to increase.

    Reply
    • Michael Rushton says

      December 10, 2013 at 2:55 pm

      Thanks for the question! I think dynamic pricing in golf and in the arts are different. With golf, a change in the price of playing at a particular time, as a result of unexpectedly high or low demand, does not reveal anything about the quality of the golf experience to potential players: if the price falls because this week it is unseasonably cold, I understand that as a golfer, and can decide whether the lower price makes it worthwhile to bundle up and play a round. But in the arts, a change in price is revealing something about market perceptions of the quality of the show. If prices for a production of a play are falling because of low demand, as a potential member of the audience I am being signaled that something might be amiss with this production, that it is maybe one to skip. Dropping prices in the arts reveals something about demand that suggests something about quality. For sports that is not the case: golfers can see the weather for themselves.

      Reply

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Michael Rushton

Michael Rushton taught in the Arts Administration programs at Indiana University, and lives in Bloomington. An economist by training, he has published widely on such topics as public funding of the … MORE

About For What It’s Worth

What’s the price? Everything has one; admission, subscriptions, memberships, special exhibitions, box seats, refreshments, souvenirs, and on and on – a full menu. What the price is matters. Generally, nonprofit arts organizations in the US receive about half of their revenue as “earned income,” and … [Read More...]

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