PostClassical Ensemble’s month-long “Interpreting Shostakovich” festival, in DC, began with a screening of Grigori Kozintsev’s 1970 film version of King Lear, with music by Shostakovich and Boris Pasternak’s Shakespeare translation. If ever there was a film that cannot be viewed at home in TV, this is it. On the wide screen of the National Gallery of Art’s film auditorium, and a superb sound system, Kozinstev’s Lear was the most powerful Shakespeare experience I can recall, on stage or screen. In the course of a long and interesting … [Read more...]
blog | AJBlog Central | Contact me | Advertise | Follow me:
Recent Comments
Ariel on Remembering Artur Bodanzky
How one can remember Bodanzky never having heard him live is a mystery .Whatever Sony engineers have done it is still...NYMike on Remembering Artur Bodanzky
There can be no doubt that ALL major orchestras are far superior in technical and ensemble playing than those of...Robert Berger on Remembering Artur Bodanzky
Interesting article, but I take exception to your patronizing dismissal of the current Met orchestra and James...Eliza on A Mexican Composer Whose Time Will Come
I never heard about Revueltas before reading your article. It has truly been like a revelation. It's always nice to...Saul Davis on Dvorak’s “Hiawatha” Symphony
I would be hesitant to enjoy your conclusions unless I knew you had studied all possible sources, including my father's...Marcela Davison Aviles on A Mexican Composer Whose Time Will Come
Thank you for this article which is both informative and does a great service to acquaint those who are not...Andrew Balio on A Mexican Composer Whose Time Will Come
I couldn't agree more that Revueltas was a great and undeservedly overlooked composer. I played much of everything he wrote...Bob love on A Mexican Composer Whose Time Will Come
Many thanks for this - Revueltas is a revelation to me. But your last paragraph is confusing. Could you...Kit Hill on Humanizing Stravinsky
Regarding "...the homeland [Stravinsky] excoriated in his Norton lectures and elsewhere as 'anarchic' and inimical to artistic fulfillment," Robert Craft...Nathalie D. Wagner, President, Wagner Society of New York on Wagner at Coney Island
What a privilege to hear Anton Seidl's lovely--and beautifully performed--composition "Good Night" that you discovered. The Wagner Society of...