The Paris Opera Ballet, in its determined non-classical guise, closed its New York visit with the late Pina Bausch’s 1975 Orpheus and Eurydice. In a post-modern, glossy-mag décor, Bausch’s take on the subject mingles the ravishing dancers with the solo singers, giving Terpsichore’s favorites little better to do than undulate their supple spines (ladies), run and jump (gentlemen), and (all) make the same gestures, many of them mindlessly co-opted from Martha Graham, again and again. And again. In the house program, Bausch assigned … [Read more...]
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Thank you! I was there too.