New York City Ballet / David H. Koch Theater, Lincoln Center, NYC / January 22, 2011 Prayer: New York City Ballet principal dancer Wendy Whelan with SAB students in George Balanchine's Mozartiana Photo: Paul Kolnik On January 22, the 107th anniversary of George Balanchine's birth, the New York City Ballet marked the occasion with two programs, matinee and evening, composed entirely of the master's work, along with supplementary activities that made the day a marathon of celebration. The doings were belatedly given the odious (and … [Read more...]
Looking Backward
Works & Process: Pacific Northwest Ballet: Giselle Revisited / Guggenheim Museum, NYC / January 9 (2 performances) & January 10, 2011 Works & Process, holding forth since 1974 at the Guggenheim Museum on New York's Upper East Side, has been, at heart, a lecture-demonstration series--Show & Tell for adults attracted by the arts. The programs devoted to dance have traditionally hewed to the simple, sensible pattern of alternating The Talk and The Walk. Spoken explication and anecdote (everybody loves to hear the backstage … [Read more...]
Mining the Past
Trisha Brown Dance Company: Works by Brown from the early 1970s, presented in conjunction with the exhibition On Line: Drawing Through the Twentieth Century / Museum of Modern Art, NYC / January 12, 15, & 16 (2 performances), 2011 Trisha Brown has been choreographing for half a century; from today's vantage point her development can safely be termed evolutionary. Examining the path of her career, it's easy to trace the innate logic that led her from simple (nevertheless ingenious) pedestrian ideas, actions, and gear to complex creations, … [Read more...]
Winter Solstice No. 4: “The Nutcracker” According to Ratmansky
American Ballet Theatre: The Nutcracker / BAM Howard Gilman Opera House, Lincoln Center, NYC / December 22, 2010 - January 2, 2011 A tree grows in Brooklyn--with a vengeance. At BAM's Howard Gilman Opera House, American Ballet Theatre's brand-new Nutcracker, by Alexei Ratmansky, followed on the heels of the Mark Morris Dance Group in The Hard Nut. Same evolution-of-the-girlchild theme (more or less), same glorious Tchaikovsky score. Musically, you can't fault the nation-wide and ever-expanding Nuts endeavor. Choreographically and … [Read more...]

Recent Comments
costas cacaroukas on Youth in Bloom
Very well thought out and well written, as usual, Tobi. Many thanks.Daniel Benton on Youth in Bloom
Very nice! You manage to capture the spirit of the performance and give us a larger context in which to...Michael Noga on Keeping Count
I saw this performance and enjoyed it. I have seen three of Justin Peck's works and noticed that he...Leo Greenbaum on Dvorovenko Moves On
Superb Classical technique. Beautiful woman. Will miss her.Richard Chang on Keeping Count
I so agree with you, Tobi: "... dance is not made of ideas but rather of people moving to music...Martha Ullman West on Keeping Count
"frosty abstraction that offers very little to see..." does seem to be the order of the day for a lot...Mary Cargill on Dvorovenko Moves On
"Enigma Variations", certainly, would count for married love in a ballet.Jann Parry on Dvorovenko Moves On
Apropos Onegin's mature love pas de deux: can you think of any other ballets in which a married couple express...Shelley KOLIN on Dvorovenko Moves On
I was introduced to Irina and Maxim during the Southern Ballet Theatre days with Vadim Fedotov and Irina Depler. We...Alice Helpern on Dvorovenko Moves On
I've seen a number of performances with Irina and Maxim and each of them with other partners but in the...