Mark Morris Dance Group in the Mostly Mozart Festival 2009 / Rose Theater, Lincoln Center, NYC / August 19-22, 2009 Mark Morris Dance Group in Empire Garden.Photo: Gene Schiavone Mark Morris, who shares top honors (with Paul Taylor) as America's greatest living choreographer, is at mid-career, but maybe no longer at the top of his game. The full article appeared in Voice of Dance (http://www.voiceofdance.org) on August 25, 2009. To read it, click here. … [Read more...]
Dancers to the Rescue
Have you noticed that ballets that are inarguably choreographic disasters often improve after a few performances? This happens, I think, once the piece has been danced before a public audience and the performers have finally admitted to themselves that "there's no there there." Then they take the hapless creation into their own hands, recognizing that it's up to them to do what they can to rescue it. It's not that they change the choreography noticeably, though they may intensify the phrasing and the shifts in emphasis between light and … [Read more...]

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jeannette andersen on Promises, promises
I love the imagery you evoke in this piece.Lisa Copeland on A Charmed Life?
I don't think you can say Christopher Wheeldon deserted Morphoses. Every time I heard him speak about it, he emphasized...Martha Ullman West on A Charmed Life?
"A choreographer goes through different periods,much like a painter," is an interesting comment from Catherine Turocy, though this longtime observer...Steve on A Charmed Life?
In response to Catherine Turocy: Perhaps. But sometimes inspiration dries up -- see Antony Tudor. My own feeling...Rob Daniels on A Charmed Life?
Rob Daniels, New York City Ballet's Managing Director of Communications and Special Projects, writes: ''Just read your ArtsJournal post on Saturday...