This article originally appeared in the Culture section of Bloomberg News on February 9, 2007. Feb. 9 (Bloomberg) -- At the edge of the sea, a middle-aged man, taut with repression, watches a group of boys carelessly tossing a beach ball. He singles out a blond youth, godlike among them. They dance an ingeniously constructed duet full of deep shifting feelings, made furtive by the incursions of the carefree adolescent gang. This is the most affecting scene in John Neumeier's ``Death in Venice,'' based on Thomas Mann's 1912 novella and set to … [Read more...]
Robbins’s Love Demon Returns in City Ballet Revival of `Dybbuk’
This article originally appeared in the Culture section of Bloomberg News on February 5, 2007. Feb. 5 (Bloomberg) -- Seven devout young men from a long-ago shtetl dance, arms linked, creating an impenetrable wall with their black-clad bodies. Their movement is both angular and sinuous, mirroring Leonard Bernstein's score, which couples modern dissonance with undulating ethnic references. Suddenly the figures break free, making cryptic, emphatic gestures with their hands, each body now a separate locus of mystery and danger. This is the opening … [Read more...]

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jeannette andersen on Promises, promises
I love the imagery you evoke in this piece.Lisa Copeland on A Charmed Life?
I don't think you can say Christopher Wheeldon deserted Morphoses. Every time I heard him speak about it, he emphasized...Martha Ullman West on A Charmed Life?
"A choreographer goes through different periods,much like a painter," is an interesting comment from Catherine Turocy, though this longtime observer...Steve on A Charmed Life?
In response to Catherine Turocy: Perhaps. But sometimes inspiration dries up -- see Antony Tudor. My own feeling...Rob Daniels on A Charmed Life?
Rob Daniels, New York City Ballet's Managing Director of Communications and Special Projects, writes: ''Just read your ArtsJournal post on Saturday...