Impelled by her unabashedly maverick imagination, Cathy Weis melds dance, video, and the fact that she has multiple sclerosis into haunting theater pieces. Village Voice 2/22/05 … [Read more...]
Elisa Monte Dance; Configuration
Monte's choreography is handsome and functional, but all her devices remain standard; on the Configuration program, only Harrison McEldowney's "At the End of the Road" offered genuine joy and wit. Village Voice 2/22/05 … [Read more...]
RoseAnne Spradlin
I guess RoseAnne Spradlin has death on her mind. Village Voice 2/8/05 … [Read more...]
STAR TURN
Stars of the 21st Century / New York State Theater, NYC / February 14, 2005 Dance fans are familiar with gala bits-and-pieces programs that showcase the more obvious gifts of a company’s stars. Stars of the 21st Century, which has become an annual affair, goes the formula one better by assembling its players from an international assortment of companies, most of them big league. This year’s version was, as usual, no more than a list of items, some worthy, some not so worthy, most overly familiar. I suppose I could organize my report on … [Read more...]
OTHER PEOPLE’S “GATES”
Christo and Jeanne-Claude: The Gates, Central Park, New York, 1979-2005 / February 12-27, 2005 The Gates, which I wrote about last week, will begin its vanishing act on Monday (February 27). This weekend offers a last chance to visit Christo and Jeanne-Claude’s installation—for the first time or once more. Following are a few of the observations I’ve received from AJ readers. On the opening Saturday I spent about two hours walking uphill and downhill, sitting, musing, and wandering “aimlessly” in and around the central "third" of … [Read more...]
GATED COMMUNITY
Christo and Jeanne-Claude: The Gates, Central Park, New York, 1979-2005 / February 12-27, 2005 How could I not be interested in The Gates? That pair of canny, visionary (oh, let's call them) artists-- born on the same day in 1935, one in Bulgaria, one in France, New York City denizens for over four decades--installed it in my backyard. And, what's more, made sure it would appeal to a dance person. For it's an artifact that, though you can scan it with pleasure (or antipathy) from outside or above, requires you to walk through it, … [Read more...]
Eighth Annual Japanese Contemporary Dance Showcase
The strongest works demonstrated an international outlook, incorporating much Western influence while retaining a stylization and emotional obliqueness characteristic of Asian art. Village Voice 1/25/05 … [Read more...]
De Facto Dance
In Beginnings, they pace, twist, run, tumble, crawl, and pose in photo-op freeze-frames, intermittently spoofing the pretensions that can attach themselves to the creation of a dance. Village Voice 1/14/05 … [Read more...]
Yanira Castro + Company
The curtains fly up—as at a peep show—to reveal a wraithlike figure clad only in panties and a gauzy robe that suggests flayed skin. Village Voice 1/11/05 … [Read more...]
Lionel Popkin & Andy Russ
A shared program by Andy Russ and Lionel Popkin offered excursions to the studio and the kitchen (with adjoining bedroom). Village Voice 1/11/05 … [Read more...]

Recent Comments
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As much as I've appreciated Irina over the years, after seeing that excerpt from Onegin at ABT's gala, I just...Virginia on On Balanchine’s “Ivesiana”
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Hello, Katrine, Jeanette Andersen is a long-experienced dance critic, currently living in Germany, She frequently writes about the Royal Danish...Thomas Schoff on On Balanchine’s “Ivesiana”
Ivesiana has been out of NYCB's standard repertory for many years--at least a decade, I think, and maybe more. ...Katrine on The Royal Danish Ballet in New York
I know this post was done a long time ago, but I must say, what Jeanette Andersen (who?) wrote is...Leo Greenbaum on On Balanchine’s “Ivesiana”
Thank you! I was there too.Theresa Bener on On Balanchine’s “Ivesiana”
Dear Tobi, It was with great interest that I read your detailed review of Ivesiana. Your vivid descriptions made it...Ann Allen-Ryan on On Balanchine’s “Ivesiana”
Tobi, thank you (once again) for sharing your insights and interpretations. I'm off to see this program this afternoon. While...George Dorris on On Balanchine’s “Ivesiana”
Ivesiana is indeed a remarkable work, perhaps not to be seen too often, to preserve its special feeling but also...Myra Malkin on On Balanchine’s “Ivesiana”
I'm going to a couple of performances just to see Ivesiana, and am very grateful for your description and your...