JUST ASKING: MORE ANSWERS

SEEING THINGS invited dancers and dance aficionados (as well as mere pedestrians) to respond to this question: Some would say that dancing is the cruelest profession, all but guaranteeing grueling work, physical pain, poverty, and heartbreak. Yet the field has always been rich in aspirants willing to dedicate their lives to the art. Why?

The first group of responses was posted July 28th. Here is a second group.

METTE-IDA KIRK writes:
Dance and music are among the most beautiful gifts humanity has been given. And when the dancer experiences what it means to phrase a movement, what possibilities of expression it contains, she will focus passionately on bringing the choreography to life. Yes, pain, obstacles, and endless work are a part of this process, but when it succeeds, the reward is catharsis. (Translated from the Danish by TT)

MAIDA WITHERS writes:
Why dedicate one's life to dance and encourage others (company members and students) to do the same? Because-
. . . dance offers a high unequalled by any other experience I have known.
. . . it is the most immediate way to access every fiber of our being.
. . . the wanderer in me wants to see the world, and dancing my way around the world is a passport to living.
. . . it gives me a forum in which I can encounter others.
. . . making dances and performing dances documents all aspects of our lives, charts our past, and predicts our future.
. . . the music is there.
. . . all these costumes need someone to make them work properly.
. . . dancing is what I know how to do.
. . . my heart keeps making me do it.

DANA TAI SOON BURGESS writes:
Why dance? Because I realize that nothing else in the world can satisfy my need to express inner perspectives, hidden longings, and repressed desires. Creating dances is my way of presenting my thoughts three-dimensionally. Because dance is a field in which mentorship continues to thrive. Watching information move from dancer to dancer, from generation to generation, I feel I'm part of a larger tradition. This process quiets my mind and answers questions about the passage of time and the ephemeral nature of life. Because in a dance studio I can be totally present in the moment, with a focused mind and body. I can't manage that anywhere else, no matter how often I try to meditate, burn incense sticks, or listen to tapes of the ocean! There is something fundamental about the process of dance that allows me to tap into the collective unconscious, to find calm in moments of calamity.

A last word, from MARTHA GRAHAM:
I am a dancer. I believe that we learn by practice. Whether it means to learn to dance by practicing dancing or to learn to live by practicing living, the principles are the same. In each it is the performance of a dedicated precise set of acts, physical or intellectual, from which comes shape of achievement, a sense of one's being, a satisfaction of spirit. One becomes in some area an athlete of God.

August 9, 2003 7:25 PM |

Categories:

Other Words

 

. . . and while I know a woman who learned Greek at ninety there are nevertheless some skills, like ballet dancing and gum chewing, which can only be mastered by the very young.
-- Jean Kerr, Penny Candy

Now that my hair is white, and my years of life ahead are growing fewer, I think that the pains I have taken over dancing have not really been pains, and I must study harder, much harder.
-- Onoe Kikugoro VI (familiarly called Rokudaime), in Ben Bruce Blakeney, "Rokudaime," Contemporary Japan, 18

When people grow old they must be dull. Dancing can't go on for ever.
-- Anthony Trollope, Can You Forgive Her?

When you do dance, I wish you / A wave o' the sea, that you might ever do / Nothing but that.
-- William Shakespeare, The Winter's Tale

Sitelines

ARTSJOURNAL

ARTS & LETTERS DAILY

BALLET.CO

BALLERINA GALLERY

THE DANCE INSIDER

DANCEVIEW TIMES

FOOTNOTES

GREAT DANCE WEBLOG

THE WINGER

The RÉUNION DES MUSÉES NATIONAUX (The National Museum Association's Photographic Agency) offers a photographic catalogue of some 200,00 holdings of French museums. It can be searched by artist, country, period, subject, and so on. You can make a personal album of your favorites on the site. New York's Metropolitan Museum of Art and D.C.'s National Gallery have similar services, but the French one is the most ambitious and extensive. Text in English as well as French.

AddALL is an ultimate umbrella for finding used and out of print books online. It doesn't have the atmosphere of Foyle's, Powell's, or even the Strand, but it will give you every opportunity to need yet another bookcase.

PROJECT GUTENBERG More books. No bookcase required. Over 6000 free electronic texts.

CALLIGRAPHY LESSONS ONLINE Learn the italic hand and make yourself legible. Don't miss the animation.

Color charts of HERBIN INKS. If you have to ask, you'll never know.

THE NEW YORK TIMES Because it's there.

About this Entry

This page contains a single entry by Seeing Things published on August 9, 2003 7:25 PM.

SUMMER SESSION was the previous entry in this blog.

The Ballerina -- A Swan Song? is the next entry in this blog.

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