NYCB and ABT, America's top two ballet troupes, have been playing rival spring seasons at Lincoln Center for more than two decades. Time was, the most profound and thrilling art lay with NYCB. Little by little, without Balanchine's galvanizing presence as chief choreographer and—this should not be underestimated—chief coach, the power of attraction shifted to ABT, with its warmer performing style, its growing complement of male virtuosi, its recent cultivation of tall, fresh, and athletic "American Girl" ballerinas (Gillian Murphy, Michele … [Read more...]
New York Theatre Ballet: Antony Tudor program
The chamber-sized New York Theatre Ballet is determined not to let the genius of Antony Tudor disappear from view. . . .Tudor is neglected because he doesn't suit the dominant taste of our time, for grand-scale extravaganza, which degenerates all too easily into flash and trash. Having wrested a uniquely expressive language from ballet's traditional abstract vocabulary, he offers instead a piercing view of human psychology and a profound sympathy for the workings of the more-often-than-not defeated heart. Village Voice 05/28/03 … [Read more...]
Home: Longing and Belonging in the Danish “Folk Tale”
According to Denmark's great Romantic choreographer August Bournonville (1805-1879), the idea of home is a splendid subject for a ballet because it raises the question of self-identity -- a profound and eternally fascinating theme that is a staple of art. The most affecting of Bournonville's works and a linchpin of the Royal Danish Ballet's repertoire, "A Folk Tale," created in 1854, explores the fate of a pair of infant girls who have been surreptitiously switched in their cradles. One is an heiress of genteel birth, the other a member of the … [Read more...]
American Ballet Theatre’s ad campaign; Dr. Glory van Scott: Tribute to Fred Benjamin
American Ballet Theatre, frantic to sell tickets to its season at the Metropolitan Opera House . . . has embarked on an ad campaign that goes beyond the foolish to the offensive. Benjamin's Ailey-esque mix of jazz, modern dance, and ballet, used to depict easily recognizable sentiments and situations, is happily studded with unique touches, some witty, some poetic.Village Voice 05/07/03 … [Read more...]

Recent Comments
jeannette andersen on Promises, promises
I love the imagery you evoke in this piece.Lisa Copeland on A Charmed Life?
I don't think you can say Christopher Wheeldon deserted Morphoses. Every time I heard him speak about it, he emphasized...Martha Ullman West on A Charmed Life?
"A choreographer goes through different periods,much like a painter," is an interesting comment from Catherine Turocy, though this longtime observer...Steve on A Charmed Life?
In response to Catherine Turocy: Perhaps. But sometimes inspiration dries up -- see Antony Tudor. My own feeling...Rob Daniels on A Charmed Life?
Rob Daniels, New York City Ballet's Managing Director of Communications and Special Projects, writes: ''Just read your ArtsJournal post on Saturday...