Wee Hours . . . a suite of solos and duets set to piano nocturnes . . . explores the tenderness, the vulnerability, the unreasoning anger, and the haunting fears that possess the soul when it hovers between sleeping and waking. (Daniels) [In] Coalesce . . . the partners form a single organism, with eight limbs but a single mind and heart. (Leichter and Byrne) Village Voice 04/30/03 … [Read more...]
Darrah Carr Dance
April 16, 2003 By
The dancing of the all-female troupe is . . . beguiling: lusty and luscious where appropriate, elsewhere as light, calm, and carefree as the early spring breeze. Village Voice 04/16/03 … [Read more...]
Tina Croll and Jamie Cunningham: The Horse’s Mouth
April 9, 2003 By
One moment . . . disarmed . . . Harold "Stumpy" Cromer vividly recalling hoofing in the Depression while Gemze de Lappe and Gus Solomons jr improvised a duet full of wit, love, and the wisdom of long experience. Village Voice 04/09/03 … [Read more...]
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I love the imagery you evoke in this piece.Lisa Copeland on A Charmed Life?
I don't think you can say Christopher Wheeldon deserted Morphoses. Every time I heard him speak about it, he emphasized...Martha Ullman West on A Charmed Life?
"A choreographer goes through different periods,much like a painter," is an interesting comment from Catherine Turocy, though this longtime observer...Steve on A Charmed Life?
In response to Catherine Turocy: Perhaps. But sometimes inspiration dries up -- see Antony Tudor. My own feeling...Rob Daniels on A Charmed Life?
Rob Daniels, New York City Ballet's Managing Director of Communications and Special Projects, writes: ''Just read your ArtsJournal post on Saturday...