Wee Hours . . . a suite of solos and duets set to piano nocturnes . . . explores the tenderness, the vulnerability, the unreasoning anger, and the haunting fears that possess the soul when it hovers between sleeping and waking. (Daniels) [In] Coalesce . . . the partners form a single organism, with eight limbs but a single mind and heart. (Leichter and Byrne) Village Voice 04/30/03 … [Read more...]
Darrah Carr Dance
The dancing of the all-female troupe is . . . beguiling: lusty and luscious where appropriate, elsewhere as light, calm, and carefree as the early spring breeze. Village Voice 04/16/03 … [Read more...]
Tina Croll and Jamie Cunningham: The Horse’s Mouth
One moment . . . disarmed . . . Harold "Stumpy" Cromer vividly recalling hoofing in the Depression while Gemze de Lappe and Gus Solomons jr improvised a duet full of wit, love, and the wisdom of long experience. Village Voice 04/09/03 … [Read more...]

Recent Comments
Michael Mao on Armchair Travel
I wish I had been able to attend that performance. First time Part was onstage here with ABT, I think...Robert Lee Norton on Armchair Travel
I have fallen in Love with Veronika Part thru the description that you have given of her.Tobi Tobias on Glimpses #7: Ashton’s Pastoral
IN RESPONSE TO ROBERT LEE NORTON: Granted, few and far between. But among the sublime is Vladimir Pomonarev, a senior...joanna ney on Glimpses #7: Ashton’s Pastoral
This Royal Ballet production of "La Fille Mal Gardée" is something to cheer about. Your review totally captures its...Ania on Starry Night
Did none of you hear that the solo violinist was outrageously out of tune the whole time? I couldn't believe...