[They] performed their assigned tasks carefully and competently, always with attention to grace. But . . . their dancing contains little breath, little evidence of imagination, almost no expression beyond what can be rehearsed. Village Voice 02/26/03 … [Read more...]
Bill Shannon
Bill Shannon (a/k/a "CrutchMaster")['s] . . . moves, though limited, provide an engaging contrast between percussive pacing and lyrical gliding, and they're spiced with sleight-of-hand feats and illusions of flying as his legs swing free. Village Voice 02/12/03 … [Read more...]

Recent Comments
jeannette andersen on Promises, promises
I love the imagery you evoke in this piece.Lisa Copeland on A Charmed Life?
I don't think you can say Christopher Wheeldon deserted Morphoses. Every time I heard him speak about it, he emphasized...Martha Ullman West on A Charmed Life?
"A choreographer goes through different periods,much like a painter," is an interesting comment from Catherine Turocy, though this longtime observer...Steve on A Charmed Life?
In response to Catherine Turocy: Perhaps. But sometimes inspiration dries up -- see Antony Tudor. My own feeling...Rob Daniels on A Charmed Life?
Rob Daniels, New York City Ballet's Managing Director of Communications and Special Projects, writes: ''Just read your ArtsJournal post on Saturday...