Snow . . . harks back to the modest scale and subtle emotional range of early ballets by Tudor and Ashton, [but it] achieves nothing like the dramatic power of these models. (Caines) [Jacek] Luminski’s choreography is ostensibly rooted in his extensive research into Polish folk tradition and Hasidic ecstatic rituals, [but] . . . I didn’t see much connection to these resources . . . on stage. Village Voice 12/13/02
Christopher Caines; Silesian Dance Theatre: Straight Into the Eyes
December 13, 2002 By
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