New York's annual Fringe Festival-a 17-day marathon of nearly 200 shows in 20 downtown theaters-lures its audience with the prospect of discovery. It offers rediscovery too, through visiting spaces rich in the history of neighborhoods and the cultures they've sheltered as well as the history of cutting-edge creativity. For a veteran, art-hungry New Yorker, personal history is likely to be involved as well. Village Voice 09/18/02 … [Read more...]
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Jann Parry on Dvorovenko Moves On
Apropos Onegin's mature love pas de deux: can you think of any other ballets in which a married couple express...Shelley KOLIN on Dvorovenko Moves On
I was introduced to Irina and Maxim during the Southern Ballet Theatre days with Vadim Fedotov and Irina Depler. We...Alice Helpern on Dvorovenko Moves On
I've seen a number of performances with Irina and Maxim and each of them with other partners but in the...sandi kurtz on Dvorovenko Moves On
Me too!Martha Ullman West on Dvorovenko Moves On
"Shockingly expensive wedding..." I love it!Ivy Lin on Dvorovenko Moves On
Irina was my first ballerina way back when I didn't know much about ballet. I saw her as Kitri and...Viginia on Dvorovenko Moves On
I seldom saw Miss Dvorovenko dance. I recently tried to get a ticket to see her as the Russian...FauxPas on Dvorovenko Moves On
Tobi, I actually saw Irina Dvorovenko do a very convincing job in Martine van Hamel's old role of the "funky"...Eric Taub on Dvorovenko Moves On
As much as I've appreciated Irina over the years, after seeing that excerpt from Onegin at ABT's gala, I just...Virginia on On Balanchine’s “Ivesiana”
I just returned from an afternoon at NYCB, watching Balanchine's various responses to American music. Like some of you,...