As I investigate and come to understand various administrative designs, and how they can be best applied for accomplishment of identified ends, I begin to see a bigger picture. I spent a lot of time over the previous year studying and analyzing organizational models (designs) in the arts and culture sector. After living intensely with the topic, I had to overcome the "so what" effect, e.g. "alright, so you have identified a bunch of new and unused models, now what?" I realized that this information needs context -- both … [Read more...]
Learning about Administrative Design
So in order to learn more about administrative design and its impact on output (artistic in this case), I've had to jump into literature from the business world. The closest I can come to study examples is in the health care field, which share our mostly not-for-profit status. What I have learned is that the success of administrative designs in business and health care is determined by how well a product or service sells and/or how well a particular constituent group is served. It appears that in the best of cases, … [Read more...]
Detroit Symphony Lamentation
I cannot help but comment on the recent developments in Detroit, as they so painfully illustrate the enormous challenges that symphony orchestras face now, and into the future. Let me begin by saying that these musicians, as well as their colleagues across the country are performing optimally in their jobs, "as they were trained to do." Performance education is a lifelong pursuit of excellence. I believe I know this from various significant perspectives. The catch is, however, that orchestras, and most especially their … [Read more...]
Hmm, Are There Really Too Many 501c3′s?
I've been operating under an assumption that there are too many 501c3's. I've been building a case to support this (popular) notion, and then to suggest alternative organizational models. And while I still strongly believe that a healthy arts and culture landscape includes a variety of organizational models, I am questioning my initiating assumption. Last night I received some data from Nick Crosson, who directs the data arm of the Greater Philadelphia Cultural Alliance. I had asked Nick to give me data on the growth of 501c3 … [Read more...]

Recent Comments
Tom Aageson on Arts Entrepreneurship — Student Work
Jim...this is a terrific initiative....it reminds me of Paducah's work to restore housing stock with artists as well as ArtSpace.org....Tom Aageson on New Degree Program
This academic track is very important as ground work for the world of cultural and creative enterprise. While the...Dominick Balletta on Arts Entrepreneurship Degree
A vital need for these entrepeneurs is the ability to assess exactly what they want to do and what are...Mark Pomerantz on New Degree Program
Any objecting to reprinting this in the USASBE (www.usasbe.org) newsletter? USASBE is the academic organization of entrepreneurship educators.Lori Hager on New Degree Program
Great conversation. There have been many arts entrepreneurship programs emerging in the last couple of years. It is...Debbie on New Degree Program
I would argue for the need to have more-indepth accounting and law classes given that start-ups may not have the...John R. Jackson on New Degree Program
Dear Vicci, Excellent point and I hope it is strongly considered. I am the Executive Director of Arts High Foundation...Tamiko Terada on New Degree Program
I am a current MFA student in the Arts Leadership program at Seattle University. It has similar objectives to...Vicci Johnson on New Degree Program
Hey Folks, consider a different angle. ...John Brown on New Degree Program
I'd advise a look at Chicago Shakespeare Theater's program with The Theatre School /DePaul -- not for its curriculum, but...