Gerard Mortier's New York City Farewell

A quick comment -- before I dash off to the Met, as it happens, for Lepage's "Damnation of Faust" -- on Gerard Mortier's withdrawal from the New York City Opera. I'm sure the recession and the cancelled season has hit the board hard. Maybe Mortier could have adjusted slightly. But to contractually promise him $60 million and then only give him $36 million is too steep for most anyone to bear, especially for a visionary used to European subsidies.

People here have been shaking their heads ever since his appointment was announced, wondering when it would collapse. Now it has. Of  course Mortier is a pugnacious provocateur. He is also a brilliant opera executive, the most exciting of our time. I will sorely miss his planned 2009-10 season and his other proposed projects beyond that. I'm sure (I hope) everyone on the board side approached this with good will and good faith. But even apart from the economic collapse, their choice of Mortier was probably naive. He was (probably) the wrong man for New York and that company.

But I will miss him and what he might have done here, and I hope he carries on somewhere else. If not, if he lets it all hang out, his memoirs should be something to cherish!

November 7, 2008 5:21 PM | | Comments (2)

2 Comments

It's not bad news. NYCO should never have hired Mortier. The more the international opera scene rejects the worst type of 'concept' productions and welcomes back good old integrity of direction and loyalty to the composer and the music the better. Good show.

Terrible news, really. It's hard to see how Mortier could be said to be the wrong man for New York - the loss, after all, is the NY City Opera's and New York opera lovers'. Bad show.

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This page contains a single entry by John Rockwell published on November 7, 2008 5:21 PM.

Antony Tudor and the Fragility of Dance was the previous entry in this blog.

Another Met disappointment, with ramifications is the next entry in this blog.

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