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Doug is a recipient of the lifetime achievement award of the Jazz Journalists Association. He lives in the Pacific Northwest, where he settled following a career in print and broadcast journalism in cities including New York, New Orleans, San Francisco, Los Angeles, Seattle, Portland, San Antonio, Cleveland and Washington, DC. His writing about jazz has paralleled his life in journalism…
…He is the author of Take Five: The Public and Private Lives of Paul Desmond and Jazz Matters:Reflections on the Music and Some of its Makers. He is the winner of two ASCAP Deems Taylor Awards, one for Take Five, another for an essay about Bill Evans in The Secret Sessions. He has contributed to Jazz Times since 1975 and, before that, wrote regularly for Down Beat. He was a contributing editor of Texas Monthly for twenty-five years and wrote a jazz column for The Dallas Morning News. His novel Poodie James was published in the summer of 2007. His articles, reviews and op-ed pieces on music and on free press and First Amendment issues have appeared in The Washington Post, The Seattle Times, The Los Angeles Times, The Oregonian, and Congressional Quarterly, among other publications. Doug is the co-editor (With Dale Shaps) of Journalism Ethics: Why Change? Under the American Speakers program of the United States Information Agency (when there was a U.S.I.A.), he lectured in Germany and Eastern Europe on jazz and on the role of a free press in a democracy. As senior vice president of FACS (Foundation for American Communications), he educated hundreds of professional journalists about analytical coverage of issues. He describes himself as an avocational trumpeter who sometimes plays for money.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Recent Comments
Bill Crow on Weekend Listening And Viewing Tip: Stamm And Holober Live
Thanks for the link, Doug. I had to miss the concert because I had a gig in Staten Island that evening. I've played...Dr. MIke Baughan on Other Matters: Watergate
Time for some Watergate Blues? www.youtube.com/watch?v=vAHjqQcBmtA http://www.youtube.com/watch?v=Rh3bgPJ4dBs http://www.youtube.com/watch?v=fbb7mX67YBwDoug Potter on A Dave Brubeck Memorial Service
I also have the Brubeck-Bennett CD coming from Amazon for my birthday on the 29th of May....thank you guys for finding it WOW.. DP Essex...Danny Barrett on Followup: Bev Getz’s Father
..What wonderful stories I just read about Stan. I know Bev and Nonie, a little..There straight shooters,bright and lovely too..In regard to Don Albert's comment...Red Sullivan on Correspondence: Shearing And You Know Who
The second Shearing/Nancy Wilson album, Hello Young Lovers, also on Capitol, but lesser known, is even superior. Orchestrations - well, arrangements anyway, are Shearing's own...