The Portland Jazz Festival, a ten-day extravaganza that fills the city’s theaters, clubs and restaurants with music, has been underway since last Friday. Tomorrow, the Rifftides staff will wend our way down US 97, turn right on I-84 and head west to Portland through the Columbia River Gorge—spectacular
at any time of year—to catch the last half of the festival. Go here for a complete list of the musicians we have missed in the first days and others we will try to fit into a packed listening schedule. The first performance I plan to tell you about will be by tenor saxophonist Scott Hamilton at Jimmy Mak’s, one of Portland’s principal jazz clubs. Hamilton’s co-conspirators will be local citizens with national reputations; pianist Dave Frishberg, bassist Dave Captein and drummer GaryHobbs.
Later in the week: Matt Wilson’s Arts and Crafts, Kenny Garrett, Steve Kuhn, George Cables, Patricia Barber, Jack DeJohnette, Greta Matassa, Steven Bernstein’s Sex Mob, Nancy King, Terri Lyne Carrington, Esperanza Spalding and Geri Allen. Those are some of the major events, most of them in downtown Portland
theaters. The challenge will be to also at least sample appearances by a few dozen of the Pacific Northwest’s fine resident artists; David Friesen, for instance, Randy Porter, Mel Brown, George Colligan and——well, hit the “Go Here” link in the above paragraph and see what the festival’s artistic director, Don Lucoff, and Portland’s club owners have put together.
Sleep may not be an option.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Recent Comments
Jack Greenberg on Unburied Treasure: Chick Corea Trio
Well, I'm sure this performance won a lot of new fans for "jazz". I didn't see Ronald Reagan in the audience. Maybe he...Jim Eigo on Unburied Treasure: Chick Corea Trio
Great to see this amazing trio no matter where they play... And don't forget Dizzy and Max doing "Salt Peanuts" with Jimmy Carter http://www.youtube.com/watch?v=ORhqJZfxxcIBill Benjamin on Unburied Treasure: Chick Corea Trio
Just great. The Now He Sings, Now He Sobs trio. The Bush family must have been freaking out on that first tune.Bill Anschell on Praise For Poodie James
I read and thoroughly enjoyed it -- great writing!Roberta on Poodie James Sale
Good luck with your book Doug. I will check it out. Thank you for the great blogging. All the best, Roberta Arnold, Artist Representative Toninho Horta Ronnie Cuber