Hammond B3 organist Atsuko Hashimoto bookended the Oregon Coast Jazz Party. The diminutive bundle of energy from Osaka performed on opening night, again on Saturday and in the Sunday morning wrap session. Her set with drummer Jeff Hamilton and guitarist Graham Dechter began with the
ballad “All or Nothing at All” from their most recent CD. She and Hamilton kicked it off at a blistering non-balladic tempo, as later they did “Yours is My Heart Alone,” another piece that began life as a tender expression of sentiment and takes on a different character at top speed.
In their decade of playing together, Hashimoto and Hamilton have developed an easy relationship into which Dechter fits as a full partner. The trio locked in tightly through Hank Mobley’s “Soul Station,” “Always Trust Your Heart” with Hamilton’s hand drumming introduction, and “I’ve Never Been in Love Before.” The closing blues had stop-time breaks for Dechter, Hamilton’s compelling shuffle beat and Hashimoto in flurries that swelled and receded in waves up and down the keyboard. The three smiled continually through the piece.
They were back the next morning, each playing an unaccompanied solo in a set that also included clarinetist Ken Peplowski, bassist John Clayton, pianist Gerald Clayton and vibraharpist Chuck Redd. In the Sunday wrap session, Hashimoto, Hamilton and Peplowski—this time on tenor saxophone— played an organ trio set that began with “Sunny,” leading Terell Stafford, listening backstage, to say of Peplowski, “Wow, he sounds like Stanley Turrentine.” They followed with “If I Had You,” Hashimoto applying dynamics reminiscent of Jimmy Smith, her early inspiration. Peplowski announced the final tune of the set as “Wagner’s Ring Cycle. We’re going to try to get through it in three-and-a-half hours.” He looked over at Hashimoto shuffling through lead sheets and said, “She’s looking for the music.” The piece turned out to be “Shiny Stockings.”





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Recent Comments
André Growald on Stompin’ For Mili
Hi Doug, John Bolger, Brandon Bloch, Iola and all the other passengers on board! I wish to express my indebtedness for being invited to...Peter Katz on A Bert Wilson Broadcast
Bert Wilson and his band were always the highlight of the Berkeley Jazz symposium held 2x per year at the UC Berkeley Newman Center back...David on Aperturistic Trio At Tsaritsino
What an exquisite recaptured audience shot at 0:59, perfectly illustrating the sentence above the clip. A remarkable amount of rhythmic tension develops beginning with the...Jim Eigo on Happy Fatha’s Day
Had the good fortune to see Fatha Hines in 1973 at the New School in NYC. There's a nice live recording of this concert too.Dick Unsworth on Happy Fatha’s Day
Haven't heard "Fatha" Hines and bassist Pedersen for ages. Thanks for the treat.