The subject line of Scott Weiss’s e-mail was “trumpet stuff.” His message included a link to video Weiss took of Bobby Shew and Carl Saunders. For decades, the trumpeters played together in big bands
including those of Buddy Rich, Bill Holman and Bob Florence. On his website, Weiss quotes Shew as saying that he and Saunders have been, “thick as thieves since around 1961.” In a rare combination of talents, each of them is a major improvising soloist also capable of the most demanding lead trumpet work.
Shew and Saunders have been stalwarts not only in jazz, but also in southern California film, television and recording studios. Since Shew moved from Los Angeles to his native New Mexico a few years ago, they cross paths less frequently, but when they do, to borrow Louis Armstrong’s phrase, “chops is flyin’ everywhere.” On this occasion, they took turns also playing drums. The 2003 gig was at a Camarillo, California, club called Michael D’s, now defunct. Bob Florence was the pianist, Dave Carpenter the bassist.
For more of Shew, Saunders and other trumpet players, see Scott Weiss’s YouTube page and his website.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
I interviewed Bobby Shew when he played in Okla, City more years ago than I care to remember. It ran in Cadence not long after that and can be looked up in the back issue index. Nice cat and a wonderful player who I would love to see record a hardcore jazz album again.