Lee Konitz with Dan Tepfer (Jazz Heaven)
Designed as a master class, the DVD provides fascinating listening and viewing for anyone curious about the creative process of making jazz. In conversation with his frequent collaborator, pianist Tepfer, Konitz discusses and demonstrates the wisdom he has accumulated in his nearly 85 years. In the hour-and-a-half conversation, he frequently picks up his alto saxophone to demonstrate a concept or a point and brings Tepfer into the spoken and played discussion. It is a Socratic dialogue, with the teacher and student occasionally reversing roles. An easily accessible menu makes browsing possible. The audio and video quality are superb.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
This sounds like it’s similar to a 1988 film called “Konitz: Portrait of an Artist as Saxophonist.” That film includes an interview and clips of Konitz conducting a workshop and in performance with pianist Harold Danko. Lee displays a somewhat dour personality but with a quirky sense of humor. The interplay with Danko is exemplary and the duo can also be heard on an excellent cd, “Wild as Springtime.”