In the right column under Doug’s Picks, (and, for a time, directly below) please find recommendations of CDs by a trumpeter-arranger, an uncategorizable singer and a drummer who composes and plays piano. We also call your attention to a DVD meant to instructit certainly does thatand ends up entertaining. A new book pick will be along soon.
Archives for February 13, 2012
CD: Jimmy Owens
Jimmy Owens, The Monk Project (IPO)
In this Thelonious Monk tribute, trumpeter Owens’ septet includes pianist Kenny Barron, trombonist Wycliffe Gordon, tenor saxophonist Marcus Strickland and low-register specialist Howard Johnson on tuba and baritone sax. Kenny Davis is the bassist, Winard Harper the drummer. There are good solos throughout, but the stars of the album are Owens’ conceptions of the tunes, and his arrangements. He brings freshness through textures and tempos. Among the surprises: a Latin approach to “Well You Needn’t,†“Let’s Cool One†as a waltz and “Brilliant Corners†alternating between a crawl and a blues-inflected march
CD: Jack DeJohnette
Jack DeJohnette, Sound Travels (e one)
DeJohnette leads small ensembles in seven of his compositions. He plays both drums and piano on several. His sidepersons include Ambrose Akinmusire, Tim Ries, Jason Moran, Lionel Loueke, percussionist Luisito Quintero and vocalists Bobby McFerrin, Bruce Hornsby and Esperanza Spaulding. Spaulding also plays bass. The personnel list may suggest random eclecticism, but within its stylistic diversity the album has unity and a beguiling sense of relaxation. DeJohnette opens and closes with unaccompanied piano performances, reminding us that despite his fame and influence as a drummer, he plays his first instrument with a fine touch and harmonic sensibility.
CD: Wesla Whitfield
Wesla Whitfield, Mike Greensill Trio, The Best Things In Life
Wesla Whitfield plugs her current of understated energy into a diverse collection that encompasses “The Best Things in Life Are Free†from 1927, “Bein’ Green†from Sesame Street, and “Walkin’ After Midnight†from the Patsy Cline hit parade. There are also standards by Loesser, LeGrand, Arlen and Frishberg, among others. Whitfield is often billed as a cabaret singer, but with the rhythm section of pianist Mike Greensill, bassist John Witala and drummer Vince Lateano supporting her time sense, phrasing and inflection, the fuzzy border between cabaret and jazz disappears. Nat Cole’s “Errand Girl For Rhythm†is a case in point.
Book: Clark Terry
Clark: The Autobiography of Clark Terry (UC Press)
The great trumpeter, flugelhornist and mumbler writes with joy about the good times in his long life and with frankness about the rough patches. His humor and generous spirit are intact whether he is telling of his love for Basie and Ellington, his triumphs as a performer, his legions of friends, or encounters with racists and bottom feeders in and out of the jazz world. Terry’s ear, eye and memory for detail provide insights into not only his remarkable career but also the trajectory and development of jazz as an art form and a social force during his many decades in music.