Joseph Daley Earth Tones Ensemble, The Seven Deadly Sins (Jaro).
Inspired by Wade Schulman paintings, Daley wrote orchestral impressions of the sins. To the veteran composer and tubist, earth tones mean low notes. Anchored by tubas, bass saxophone, contrabass sax, contrabass clarinet, contrabass violin 
and bass trombone, Daley’s variegated writing nonetheless encompasses a full range of orchestral sounds for reeds, brass and percussion. New York stars including Bob Stewart, Scott Robinson, Earl McIntyre and Lou Soloff play it beautifully. Soloff leads the trumpets in a wild plunger-mute depiction of lust. A DVD available from Jaro traces the creation of the music. To see a preview, go here and scroll down.
The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Great recording!
One of my favorites of the last year or so.