In January, after looking over the lineup for this year’s New Orleans Jazz and Heritage Festival, which was laden with rock and pop, I wrote: More than five years after Katrina, with the city recovering but much of it still resembling a post-war nightmare, a party called a jazz festival symbolizes New Orleans’ determination to recover. That speaks of a spirit that rises from within New Orleanians and cuts through a malaise of failed leadership, politics and bureaucracy. For eight … [Read more...]
Correspondence: Reprimand And Penance

A Rifftides archive browser who identifies himself only as Hank wrote to take me to task: I feel certain you are friends with Miller Williams. My main comment is that if you are going to publish online his poetry, it seems you would want to get it right. There are numerous errors in the poem I found on this site, from formatting to punctuation to capitalization. Not meaning to get on your case about this, but I did notice it. I send this respectfully. Over the past six … [Read more...]
How To Subscribe
Lately, readers have asked how to sign up for Rifftides RSS feeds and be notified of new posts and comments. On the right side of the blue bar at the top of the screen, you will see a pair of symbols like this. Click on the one next to "Posts" or the one next to "Comments," or both, and then click on "Subscribe." Voila! … [Read more...]





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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