I should have alerted you earlier to another web concert by the excellent Seattle Repertory Jazz Orchestra. It will be broadcast beginning at 1 pm (PST) today. Here are the details in an announcement from the SRJO.
Tune in to hear highlights of the SRJO’s “Jazz Goes To the Movies” (recorded in November 2011) on the next Jazz Northwest on KPLU 88.5FM – KPLU. It’s a concert of movie themes and incidental music played by the Seattle Repertory Jazz Orchestra. The concert, directed by Clarence Acox and Michael Brockman is part of the annual series presented by the SRJO. Mission Impossible, The Pink Panther, Days of Wine and Roses and other jazz from the movies is included…we’ll even have some film clips (a rarity for radio!).
Sunday, February 20 at 1 PM Pacific on Jazz Northwest on 88-5, KPLU and streamed live at kplu.org. Jazz Northwest is recorded and produced by Jim Wilke exclusively for KPLU. The program is also available as a podcast at kplu.org.
Sorry for the short notice; I’m buried in a Modern Jazz Quartet project that I’ll tell you about later.
The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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