The fine jazz photographer Ron Hudson died at his Seattle home on Tuesday. He was
71. For more than 30 years, Hudson captured memorable images of Ella Fitzgerald, Miles Davis, Woody Herman, Milt Jackson, Bud Shank and dozens more of the leading musicians of his time. He worked exclusively in black and white and won admiration for the clarity of his prints. As noted in this Rifftides review of a book of his collected photographs, Hudson had the gift of anticipating a crucial stage in the act of improvisation and releasing his shutter at precisely the right millisecond. Most of his pictures were intimate action portraits, but he sometimes caught large groups in dramatic moments, as in this panoramic shot of a convocation of bassists a few years ago in a tribute to Ray Brown at the Centrum Port Townsend Jazz Festival.
A 2006 Katy Bourne profile of the photographer on All About Jazz includes several of Hudson’s photographs.
Ron Hudson, Photographer
February 25, 2011 by
The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
they musta used joe venuti to get all those bass players in the same place & same time.