James Moody toured in most parts of the world and made friends wherever he went. Following his death in December, the Norwegian pianist Per Husby sent the story of his encounter with Moody a couple of decades ago and the touching question Moody asked him the day after their concert. The pictures and captions below will mean more if you first read Mr. Husby’s story. It contains a link to a vocal performance by Moody that includes yodeling. Click here. Then come back to this page.
Here is Per Husby’s photographic update of that story.
The color shot is taken at Frognerseteren restaurant outside of Oslo in 1994 – just after we had finished the lunch where Moody had asked me the “do I sound old?” question.
The black and white photo was taken at the jazz festival in Molde in 1979 on the gig that produced the yodel track I posted on the net.
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Here, with her permission, is Linda Moody’s note to Mr. Husby.
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My sons and I have thoroughly enjoyed the clip of Moody. When we were first married Moody yodeled all the time and I had forgotten how good he was at that. Thank you so much. I think your letter has gone all over the Internet. 3 different people have sent it to me. By the way I am not half Norwegian. My Mother was born in Stavanger and my Father was born near Trondheim. We had a huge family reunion in Sandness in 1988.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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