I thought that we had come to the end of the current Rifftides series of James Moody entries until I heard from a reader who wondered why she had never heard Moody’s “I’m in the Mood for Love.” That is a puzzle, given the record’s ubiquity, but if even one person has the pleasure of hearing it for the first time, how can we refuse? Here is Moody’s 1949 recording with the Swedish All-Stars, followed by King Pleasure (Clarence Beeks) in 1952 singing Eddie Jefferson’s lyric set to Moody’s solo. Blossom Dearie sings the bridge originally improvised by pianist Thore Swaneberg. I’m glad our reader asked. This is a good way to start the week.
How Moody Became Famous
December 12, 2010 by
The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
That was too cool. I hadn’t heard James` version in a dog’s age and don’t believe I have EVER heard the King Pleasure!
It’s awful to hear the news on Mr. Moody as he is a constant in my jazz collection. What a contribution he made to the canon and to my enjoyment of this music.
I’m not suggesting this for Rifftides. You’ve done so many great items on Moody already. But I thought you might appreciate hearing it.
http://www.capradio.org/articles/2010/12/13/remembering-james-moody
(Everyone might appreciate hearing Mr. Conley’s 1996 radio visit with Moody. Click on the link above.—DR)