Harold Danko, Oatts & Perry II (SteepleChase). Pianist Danko was a colleague of alto saxophonist Dick Oatts and tenor saxophonist Rich Perry in the Thad Jones-Mel Lewis band and never got over them—with good reason. This successor album to Oats & Perry (2006) again teams the three with bassist Michael Formanek and drummer Jeff Hirshfield. It reemphasizes the reasons that Oatts and Perry are admired among musicians and serious listeners for their inventiveness, passion and tonal qualities. In addition, it has plenty of Danko’s incisive soloing. They glorify tunes by Danko, Jones, Wayne Shorter, Horace Silver, Richard Rodgers, Johnny Mercer and Miles Davis, whose “Sid’s Ahead” is a moody highlight.
CD: Harold Danko, Dick Oatts, Rich Perry
December 22, 2010 by
The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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