Rifftides reader Don Frese recommended this item from Bill Crow’s “The Band Room” column in Allegro, the newspaper of New York Local 802 of the American Federation of musicians.
The late British tenor man and club owner Ronnie Scott once told me that he was standing one day on the platform of a tube station in London, and he suddenly
realized that the man standing next to him was Charles Laughton. Ronnie said excitedly to the great actor, “Excuse me, sir, but I just have to say
what a great fan of yours I am. I have seen everything you’ve ever done, and admire your work tremendously.” Laughton thanked him, and asked, “Are you an actor?” Scott replied, “No, I’m a jazz musician.” Laughton considered this for a moment, and then inquired, “Do you have any pot?”
To read Bill’s entire November column, go here.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
I love it.