Trombone players are generally the nicest brass players. However, they do tend to drink quite heavily and perhaps don’t shine the brightest headlights on the highway, but they wouldn’t hurt you and are the folks to call with all your
pharmaceutical questions…It’s a little-known fact that trombone players are unusually good bowlers.—Toby Appel’s Guide to the Orchestra
My greatest teacher was not a vocal coach, not the work of other singers, but the way Tommy Dorsey breathed and phrased on the trombone.—Frank Sinatra
Many a sinner has played himself into heaven on the trombone, thanks to the army.—George Bernard Shaw, Major Barbara
(Jack Teagarden) was certainly an astoundingly gifted trombonist who single-handedly created a whole new way of playing the trombone.—Gunther Schuller, The Swing Era.
J.J. Johnson found a way of adapting the instrument to bebop that was to influence every jazz trombonist that followed.—Steve Voce
Frank Rosolino was a towering genius and a trombone virtuoso of the jazz genre. His style was unique and instantly recognizable.—J.J. Johnson
Never look at the trombones. You’ll only encourage them.—Richard Strauss





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Was Frank tromatized? Did J.J. have a bone to pick with Tommy? Did it take extra brass to litter your post with bad puns? (Naah.) Should I slide on out of here? (A mute point, but yeah, forthwith.)
Mr. Leimbacher enjoys word play——to a fault—DR
“My old joke is that saxophonists get all the girls, trumpeters make all the money, and trombonists develop an interior life.” – Bob Brookmeyer