Alto saxophonist Marion Brown, who came to prominence in the 1960s and ’70s, died yesterday at age 79. He had been in an assisted living home in Hollywood, Florida, since
2005. Although some references list his birth year as 1935, he was born on September 8, 1931, in Atlanta, Georgia. Brown’s career got a boost when John Coltrane chose him to be on Ascension. That 1965 album, in effect, was Coltrane’s announcement that he was fully embracing free jazz. Brown also collaborated with Ornette Coleman, Archie Shepp, Paul Bley and other figures in the free movement. In albums like his Afternoon of a Georgia Faun, he struck a balance between lyrical playing and the unbounded improvisation of the avant garde. This 1967 clip from Italy, with its murky picture, is a rare piece of video featuring Brown. The other members of his quartet are not identified. Be patient; the man who posted the clip has a promotional announcement.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Recent Comments
mel on Sam Most, Johnny Smith…Gone
I recommend this video documentary - Sam Most - Jazz Flutist: http://www.youtube.com/watch?v=PVDrQk7tERM RIP Sam Most RIP Johnny SmithBrew on A Desmond Oberlin Masterpiece, Complete
By the way: I now can proudly tell you all that the original 10" release & the later 12" LP are both in my possession. The...dick vartanian on Happy Fatha’s Day
It would be ridiculous to say I can't play like that - I can't even think like that. Superb !!Malcolm Norman on A Desmond Oberlin Masterpiece, Complete
I'll now reply to myself with a reprimand for having been so capitvated by the thought of an extra minute's Desmond Oberlin solo that my...Malcolm Norman on A Desmond Oberlin Masterpiece, Complete
The ultimate frustration is that I, outside the U.S. (i.e. Germany), cannot access the video even when using a proxy giving me a U.K. IP-number!...